Beethoven Carol Rosenberger - Piano Sonata Op 57 Appassionata Op 111
Review by Wct WCT
The album Piano Sonata Op 57 Appassionata Op 111 by Beethoven Carol Rosenberger is an exceptional collection of classical music pieces that showcase the brilliant artistry of the renowned composer. The album features two of Beethoven's most famous sonatas, the Piano Sonata Op 57 and the Appassionata Op 111, performed by the talented pianist Carol Rosenberger.
The first track, Piano Sonata Op 57, is a bold and dramatic composition that is characterized by its powerful melodies and intricate harmonies. Rosenberger's performance is outstanding, capturing the intensity and emotion of the piece with precision and skill. She artfully navigates the complex passages, creating a sense of tension and release that is both captivating and exhilarating.
The second track, Appassionata Op 111, is a more contemplative piece that showcases Beethoven's mastery of the piano. Rosenberger's interpretation is thoughtful and nuanced, highlighting the subtleties of the composition and creating a sense of intimacy and introspection. Her playing is delicate and expressive, capturing the essence of the piece with grace and beauty.
Table of Contents
Download
Filename: beethoven-carol-rosenberger-piano-sonata-op-57-appassionata.zip- MP3 size: 40.2 mb
- FLAC size: 308.4 mb
Tracks
| Track | Duration | Preview |
|---|---|---|
| Maestoso - Allegro Con Brio Ed Appassionato | 8:35 | |
| Allegro Assai | 9:24 | |
| Sonata Op. 57 (Appassionata) | (23:56) | |
| Arietta: Adagio Molto Semplice E Cantabile | 18:08 | |
| Andante Con Moto - Allegro Ma Non Troppo | 14:24 | |
| Sonata Op. 111 | (26:55) |
Images
Catalog Numbers
- D/CD 3009
- D/DMS 3009
Labels
DelosListen online
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Formats
- CD
- Album
- Vinyl
- LP
Companies
| Role | Company |
|---|---|
| Phonographic Copyright (p) | Delos Records, Inc. |
| Copyright (c) | Delos Records, Inc. |
| Manufactured By | Sanyo Japan |
Credits
| Role | Credit |
|---|---|
| Composed By | Ludwig van Beethoven |
| Engineer | George Baker |
| Liner Notes | Stan Ricker |
| Piano | Carol Rosenberger |
| Producer | Amelia S. Haygood |
| Recorded By | Jim Wolvington, Richard Feldman, Sydney Davis |
| Edited By | Jim Wolvington, Richard Feldman, Sydney Davis |
| Mastered By | Jim Wolvington, Richard Feldman, Sydney Davis |
| Technician | Heriberto Lurgenstein |
| Design | Tri-Arts, Inc. |
| Photography | Richard Rankin |
Notes
- Total Playing Time: 51:06
- Bösndorfer Imperial Concert Grand
- Recorded in Bridges Auditorium, Claremont, California, March 19 and 20, 1981.
- Digital Recording, Editing and Mastering by Soundstream, Inc.
- In Memoriam: Webster Aitken 1908-1981
- Library of Congress Catalog Card Number 80-750545 applies to this recording.
- *** Technical Information ***
- For this recording we used two omni B&K condenser microphones, capsule #4134, and B&K pre-amplifier 2319S. The specially constructed low noise, low distortion power supply and line driver amplifiers were designed and built by John Meyer of Meyer Sound Laboratories, Inc., San Leandro, California.
- The output of the line driver amplifiers was fed directly into the line level input of a Studer Model 169 Stereo Mixer, which was fed directly into the Digital Tape Recorder. The portable Studer console is battery-powered. There is no AC and therefore no chance of hum. The power supply for the Studer 169 console is a sophisticated battery charger.
- The B&K microphones were originally designed for high pressure or very loud sound measurement. It is because of this design characteristic that the microphone is able to withstand the very high sound pressure level encountered in music. The highest quality music recording microphones will typically go into "crashing" i.e., gross distortion, at a sound pressure level of 120-130 dB SPL. The B&K microphones typically reach 3% distortion at 160 dB, thus giving approximately 30 dB headroom for peaks.
- Stan Ricker
- Recorded in U.S.A.
- Manufactured in Japan
- Recorded in Bridges Auditorium, Claremont California, March 19 and 20, 1981
- Library of Congress Catalog Card Number 80-750545 applies to this recording
Barcodes
- Matrix / Runout: DCD 3009 310052
- Matrix / Runout: DELOS DMS 3009 A06 H1101
- Matrix / Runout: DELOS DMS 3009 B06 H1111
About Beethoven Carol Rosenberger
German composer and pianist, born in 1770 (baptized 17 December 1770) in Bonn, Germany and died 26 March 1827 in Vienna, Austria.
A crucial figure in the transition between the Classical and Romantic eras in classical music. Beethoven led Viennese Classicism to its highest development and paved the way for Romantic music.
Beethoven was the eldest son of a singer in the Kapelle of the Archbishop-Elector of Cologne and grandson of the Archbishop's Kapellmeister. He moved in 1792 to Vienna, where he had some lessons from Haydn and others, quickly establishing himself as a remarkable keyboard-player and original composer. By 1815 increasing deafness made public performance impossible and accentuated existing eccentricities of character, patiently tolerated by a series of rich patrons and his royal pupil the Archduke Rudolph.
Beethoven did much to enlarge the possibilities of music and widen the horizons of later generations of composers. To his contemporaries he was sometimes a controversial figure, making heavy demands on listeners both by the length and by the complexity of his writing, as he explored new fields of music.
Real Name
- Ludwig van Beethoven
Name Vars
- BEETHOVEN
- Beeshoven
- Beeth.
- Beethofen
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- Mozart
- The Concertos
- V. Beethoven
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- Van Beethoven Ludwig
- Van Beethoven, Ludwig
- beethoven
- v. Beethoven
- v.Beethoven
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- van Beethoven, L.
- van Beethoven, Ludwig
- Μπετόβεν
- Бетховен
- Бетховен Людвиг Ван
- В. Бетховен
- Л. Бетговен
- Л. Бетовен
- Л. Бетховен
- Л. Бетховен - Anatoly Nikitin - Felicia Fondaminskaya
- Л. В. Бетховен
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- Людиг ван Бетховен
- בטהובן
- ל. ו. בטהובן
- ל. ואן בטהובן
- بتهوفن
- بتهوون
- بيتهوفن
- بيتهوڤن
- لودویگ وان بتهوون
- ÙüÈô§ó
- ÙüÈüÙó
- ÙüÈüô§
- ÙüÈüô§ó
- ÙüÈüô§ó = Beethoven
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- ಠƠತ
- ಠƠತ (Ludwig Van Beethoven)
