Bill Frisell - Have A Little Faith
Review by Jeremy Couturier
The album Have A Little Faith by Bill Frisell is a testament to the musician's versatility and creativity. Featuring a mix of original compositions and covers of classic tunes, the album showcases Frisell's unique approach to jazz and Americana music.
The opening track, "The Open Prairie," sets the tone for the album with its haunting melody and sparse instrumentation. From there, Frisell takes the listener on a journey through a variety of musical styles, from the bluesy "Rag" to the upbeat "Little Jenny Dow."
One of the standout tracks on the album is Frisell's cover of "Shenandoah," which features his signature use of looping and layering to create a lush and atmospheric sound. Another highlight is "Have A Little Faith," a soulful and introspective original composition that showcases Frisell's skills as a songwriter.
Table of Contents
Download
Filename: bill-frisell-have-a-little-faith.zip- MP3 size: 148.2 mb
- FLAC size: 1884.8 mb
Tracks
| Track | Duration | Preview |
|---|---|---|
| Little Jenny Dow | 3:29 | |
| Priairie Night (Card Game at Night) /Gun Battle | 05:02 | |
| Just Like a Woman | 4:49 | |
| Mexican Dance And Finale | 3:44 | |
| Prairie Night (Card Game At Night), Gun Battle | 5:02 | |
| The Open Prairie Again | 2:34 | |
| Billy In Prison | 1:33 | |
| When I Fall In Love | 3:28 | |
| When I Fall in Love | 03:26 | |
| Just Like A Woman | 4:49 | |
| The "Saint-Gaudens" In Boston Common, "Col. Shaw And His Colored Regiment" (Excerpt #1), From Three Places In New England | 0:41 | |
| Have A Little Faith In Me | 5:39 | |
| Billy the Kid, Prairie Night (Card Game at Night), Gun Battle | 5:2 | |
| Billy the Kid, Celebration After Billy's Capture | 2:17 | |
| Live to Tell | 10:12 | |
| Celebration After Billy's Capture | 2:17 | |
| The "Saint-Gaudens" In Boston Common, "Col. Shaw And His Colored Regiment" (Excerpt #2), From Three Places In New England | 3:05 | |
| The Open Prairie | 3:11 | |
| Billy the Kid, Billy In Prison | 1:33 | |
| Street Scene In A Frontier Town | 1:45 | |
| Billy Boy | 1:39 | |
| The \ | 0:46 | |
| Billy the Kid, The Open Prairie Again | 2:29 | |
| The Saint-Gaudens in Boston Common: Col. Shaw and His Colored Glasses, ... | 00:41 | |
| Have a Little Faith in Me | 05:39 | |
| Billy the Kid, Street Scene In a Frontier Town | 1:45 | |
| Billy the Kid, The Open Prairie | 3:12 | |
| Celebration After Billy's Capture | 02:17 | |
| Live To Tell | 10:10 | |
| I Can't Be Satisfied | 3:0 | |
| No Moe | 2:36 | |
| Billy in Prison | 01:33 | |
| Washington Post March | 2:2 | |
| Mexican Dance and Finale | 03:44 | |
| I Can't Be Satisfied | 3:00 | |
| Street Scene in a Frontier Town | 01:45 | |
| Billy the Kid, Mexican Dance and Finale | 3:44 | |
| Have a Little Faith In Me | 5:40 |
Video
Bill Frisell ~ Have a Little Faith
Images
Catalog Numbers
- WPCP-5294
- 7559-79301-2, 7559-79301-2 ZK
- 79301-2
Labels
- Elektra Nonesuch
- Grammy
Listen online
- ascolta in linea
- kuunnella verkossa
- lytte på nettet
- online luisteren
- ouvir online
- lyssna på nätet
- escuchar en línea
- online anhören
- écouter en ligne
Formats
- CD
- Album
- Promo
- Unofficial Release
Companies
| Role | Company |
|---|---|
| Record Company | Warner Music Japan Inc. |
Credits
| Role | Credit |
|---|---|
| Accordion | Guy Klucevsek |
| Bass | Kermit Driscoll |
| Clarinet | Don Byron |
| Bass Clarinet | Don Byron |
| Composed By | Aaron Copland (tracks: 1 to 7) |
| Design | John Heiden |
| Drums | Joey Baron |
| Engineer | Joe Ferla |
| Executive-Producer | Robert Hurwitz |
| Guitar | Bill Frisell |
| Arranged By | Bill Frisell |
| Mastered By | Greg Calbi |
| Photography By | Russell Lee |
| Producer | Wayne Horvitz |
| Executive-producer | Robert Hurwitz |
Notes
- Recorded March 1992 at RPM Studios, New York City
- Mixed at Bad Animals Studios, Seattle
- Mastered at Sterling sound, New York City
- TT: 60:56
- ℗ 1993 Elektra Entertainment
- Made in Germany
- early 2000's release
Barcodes
- Barcode: 4988014752947
- Rights Society: JASRAC
- Barcode: 075597930122
- Matrix / Runout: 755979301-2.2 WME
- Label Code: LC 0286
- Rights Society: GEMA / BIEM
- Barcode: 0 7559-79301-2 2
- Matrix / Runout: 2 79301-2 SRC+01 M1S2
About Bill Frisell
American jazz guitarist and composer, born March 18, 1951 in Baltimore, Maryland.
Father of photographer .
Real Name
- William Richard Frisell
Name Vars
- B. Frisell
- B.Frisell
- Bill
- Bill Frisel
- Bill Frizzell
- Frisell
- W. Frisell
Summary by Jeremy Couturier
Comments
2023-04-13
?
2023-04-12
2 people have no faith. ?
2023-04-12
WOW I was thinking about kimock as this started and then I scrolled down and saw this... would love to hear frisell rip with him
2023-04-12
not surprised! Both monster musicians with unspeakably beautiful tone and expression. So dedicated.. :o)
2023-04-12
yknow this is just the john hiatt song right?
2023-04-11
Kimock is a HUGE Frisell fan ... I personally gave him several live recordings over the years for which he expressed his gratitude.
2023-04-10
@mbruns59 I've got them both :)
2023-04-10
@brandobean I get what you're saying in terms of recordings/countryish, but live you never know. I heard him with his trio with Eyvand Kand and Rudy Royston last year and it was some of the most inventive exciting playing I've ever heard from him in 20+ yrs. He also played some completely incendiary huge stuff. More than anyone I know, live is the deal with Frisell. He makes good and sometimes great CDs, but he is totally alive when playing live. East/West is awesome as is the Live trio CD.
2023-04-09
Steve Kimock and Frisell need to get together.
2023-04-09
Feeling and truth above all else - Bill Frisell communicates that to me with every note and his whole approach. When I feel myself slipping off course, second guessing my decisions, in whatever aspect of my life, I listen to Frisell speak his heart and I am right back on course. In my book a genius although he'd probably shy away from that statement. Sorry Bill!
2023-04-09
'Conservative'???
Don't tell Paul Motian.
Don't tell Paul Motian.
2023-04-08
@Micahb2 I totally agree. That steinberger/klein has a modern rolled off sound that I really dig for him. When he moved to the Tele sound, it was coincident with his playing more country and conservative and he sorta lost me. I liked the beauty and then the "evil" he could get with that Klein with distortion. I wonder what pickups he had in it?
