Cloud Nine - Jazzmin Tango Remix Teach Me To Fly
Review by Emily Smith
The album Jazzmin Tango Remix Teach Me To Fly by Cloud Nine is a unique blend of jazz and tango music. The remixes are perfect for those who are looking for something different and fresh. The album is a perfect mix of traditional tango and modern jazz, which creates a beautiful and captivating sound. The band has done an excellent job of blending the two styles together seamlessly.
The album features a variety of instrumental tracks, each with its own unique sound and style. The tracks are well-crafted and expertly produced, making for an enjoyable listening experience. The album is perfect for those who love music that is both relaxing and upbeat.
The standout tracks on the album include "Teach Me To Fly," "Jazzmin Tango," and "Cloud Nine." Each of these tracks has a unique sound and style that showcases the band's versatility and musical talent. The album is a great addition to any music lover's collection, and it is sure to be enjoyed for years to come.
Table of Contents
Download
Filename: cloud-nine-jazzmin-tango-remix-teach-me-to-fly.zip- MP3 size: 12 mb
- FLAC size: 113.8 mb
Tracks
| Track | Duration | Preview |
|---|---|---|
| Teach Me To Fly | ||
| Jazzmin (Tango Remix) |
Video
Cloud Nine - Jazzmin (Tango Remix)
Cloud 9 - Snow
Images
Catalog Numbers
SHADOW 56RLabels
Moving ShadowListen online
- ouvir online
- online anhören
- escuchar en línea
- kuunnella verkossa
- online luisteren
- lyssna på nätet
- ascolta in linea
- écouter en ligne
- lytte på nettet
Formats
- Vinyl
- 10"
- 33 ⅓ RPM
Companies
| Role | Company |
|---|---|
| Mastered At | The Exchange |
| Phonographic Copyright (p) | Moving Shadow Music |
| Copyright (c) | Moving Shadow Record Company |
Credits
| Role | Credit |
|---|---|
| Mastered By | Simon |
| Producer | G. Cheung |
| Written By | G. Cheung |
Notes
- Track Y samples:
- Vocal from Hayden Andre Presents Subculture Featuring Marcus - The Voyage
Barcodes
- Matrix / Runout: SHADOW 56R X₁
- Matrix / Runout: SHADOW 56 R Y₁
- Other (Additional etchings both sides): SIMON - THE EXCHANGE
- Barcode (Text): 5 022208 100561 >
- Barcode (Scan): 5022208100561
- Label Code: LC5681
About Cloud Nine
Chopping breakbeats like some fierce demon swordsman Gavin Cheung drops tunes as Cloud 9, Nookie an on his own Daddy Armshouse label. It's different names for different styles. Where Armshouse focused on the jungle, Cheung leads the field in generating grins, happiness and full-on dancefloor mania as Nookie.
Check one of his Nookie tracks and you'll just get blasted with the manic twist as happy hardcore takes on the lost sound of stupid fresh. You kind of know the score as rushing pianos and vocals screech over breaks, but he slices like a serial killer and backs the beast with a sly kickdrum.
"Music is a state of mind the way I see it," argues Cheung, "and whatever you're feeling you reflect into music." Translating his vibes into digital mesh he saves the uplifting stuff for Nookie and sends the melancholic, maniacal and mad into his Cloud 9 persona. It's here he plays with subtle chord progressions, layers strings and gives the raging sound a hypnotic taste of technofied breaks.
He's been making music for five years, and started out cutting hip hop remixes for the likes of Cutty Ranks and Ninjaman with production outfit Main Attraction. Running solo he dived into hardcore and has stuck fast to a groove of fierce rhythm and wildass bass. "I like the energy of it," he says, "the pace of it, and I can't see it dying out."
Sending percussion rattling down your spine into infinity and rolling chopdrums into the abyss Nookie strives for a sonic immortality that few believe his music can achieve. But then no one expected hardcore in the first place, did they ? Watch this dude 'cos you never know.
Real Name
- Gavin Cheung
Name Vars
- Cloud Nine
- Cloud9
Aliases
- Nookie
- Second Vision
- Freddy Fudpukker
- Private Productions
- Windy Milla
- Gavin Cheung
- Traces Of Guilt
- Main Attraction
- Proj-X
- Binary State
Summary by Emily Smith
Comments
2023-04-12
Reading an interview with Paul Ibiza, in the part where he was asked about the name Drum N Bass coming in to replace Jungle. He accuses Rob Playford of making it less black & more white & name checked this track 'Snow' inparticular, which is more melodic than the Ragga stuff. He Seems kinda bitter & hung up on race when Jungle was about more than sampling Ragga lyrics, but a fusion that took in many multi cultural influences.
'At the time there was a lot of controversy around the name drum n bass– when people started using the term drum n bass there was a feeling in some corners that this was to hide the scene’s black roots'
Paul "Well, I’m glad you said that. The name drum n bass is of black origin anyway, it said on my dad’s old records “drum n bass or version” – but what we think of as drum & bass now, I hate drum & bass. It’s moody. OK, Im not gonna say I don’t like it, but… Take Rob Playford. Rob Playford used to work for me in the early Ibiza days. He was a DJ. He used to come to my house with his long straggly hair, sat down in my house and said, I want to be a DJ, so I said, come on then. Colour had stopped mattering to me by this point, so I said come on then, and I took Rob Playford under my wing. So he then started doing his own label, all the Moving Shadow stuff, calling his rave Voodoo Rave. And I said, hold on Rob, I didn’t think you liked the black culture, why are you calling you’re rave Voodoo Rave, all of that. And the minute he started making money he came out with this thing called Intelligent Drum n Bass, and I started seeing what was going on here. The scene was splitting- jungle is black and drum n bass is white, is that what you’re telling me? And that’s what was happening. It started with Moving Shadow with a record called Snow. I’m not gonna mince my words no more, I’m a 50 year old man, and I’m gonna say it how I see it. When that lot, Moving Shadow started making money they bought pro tools – pro tools cost £10K – we never had £10K to buy pro tools – and the music started to change. You can hear it developing into different things. It had this white element about it and killed the jungle. Nuff of the DJs started saying we’re gonna kill the jungle by not putting any ragga samples in there, and it just went down that round. I turned my nose up at it. When they done that and killed the jungle, most of the DJs left it for garage anyway."
'At the time there was a lot of controversy around the name drum n bass– when people started using the term drum n bass there was a feeling in some corners that this was to hide the scene’s black roots'
Paul "Well, I’m glad you said that. The name drum n bass is of black origin anyway, it said on my dad’s old records “drum n bass or version” – but what we think of as drum & bass now, I hate drum & bass. It’s moody. OK, Im not gonna say I don’t like it, but… Take Rob Playford. Rob Playford used to work for me in the early Ibiza days. He was a DJ. He used to come to my house with his long straggly hair, sat down in my house and said, I want to be a DJ, so I said, come on then. Colour had stopped mattering to me by this point, so I said come on then, and I took Rob Playford under my wing. So he then started doing his own label, all the Moving Shadow stuff, calling his rave Voodoo Rave. And I said, hold on Rob, I didn’t think you liked the black culture, why are you calling you’re rave Voodoo Rave, all of that. And the minute he started making money he came out with this thing called Intelligent Drum n Bass, and I started seeing what was going on here. The scene was splitting- jungle is black and drum n bass is white, is that what you’re telling me? And that’s what was happening. It started with Moving Shadow with a record called Snow. I’m not gonna mince my words no more, I’m a 50 year old man, and I’m gonna say it how I see it. When that lot, Moving Shadow started making money they bought pro tools – pro tools cost £10K – we never had £10K to buy pro tools – and the music started to change. You can hear it developing into different things. It had this white element about it and killed the jungle. Nuff of the DJs started saying we’re gonna kill the jungle by not putting any ragga samples in there, and it just went down that round. I turned my nose up at it. When they done that and killed the jungle, most of the DJs left it for garage anyway."
2023-04-12
If one track sums up the man like Randall it's this.
2023-04-11
This is one of the best DnB tracks of all time. Damn ?
2023-04-10
Big big tune R.I.P Tango
2023-04-09
Magnificent
2023-04-09
Absolute Banger,??????
2023-04-08
RIP. Great remix. Used to play this one out bk in 94.
2023-04-07
Choooon
2023-04-07
RIP Jamie :(
2023-04-07
Takes me to the clouds man ^^ such a trip and a half <3
2023-04-07
this is the sh*t!!!! f*cking wickedness,.... personified!! Brilliant!!
2023-04-06
yeah maaan
