Gottfried Michael Koenig - Gottfried Michael Koenig

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Review by Diogo Coura

Gottfried Michael Koenig, a German composer and pioneer of electronic music, has released his self-titled album Gottfried Michael Koenig. The album features a collection of his compositions from 1954 to 1963, showcasing his experimentation and exploration of electronic sound.

The album opens with "Essay," an avant-garde piece that sets the tone for the rest of the album. Koenig's use of electronic sounds and manipulation of tone and texture create an otherworldly atmosphere. "Klangfiguren II" follows, a more structured composition that showcases Koenig's ability to create complex rhythms and patterns using electronic instruments.

The album also includes "Terminus II," a piece that was inspired by the sounds of trains, and "Klangfiguren III," a composition that features a prominent melody and explores the use of different timbres and textures.

Table of Contents

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Filename: gottfried-michael-koenig-gottfried-michael-koenig.zip
  • MP3 size: 355.1 mb
  • FLAC size: 3276.3 mb

Tracks

TrackDurationPreview
Blatt 420:47
Blatt 460:39
Blatt 410:45
Blatt 370:32
Blatt 260:38
Blatt 70:37
Blatt 570:46
Blatt 450:45
Blatt 190:44
Blatt 440:42
Blatt 600:51
Blatt 590:52
Blatt 230:40
Zwei Klavierstücke8:18
Blatt 480:23
Blatt 300:46
Blatt 500:37
Blatt 20:41
Blatt 90:35
Funktion Grün8:25
60 Blätter Für Streichtrio
Blatt 350:43
Blatt 80:32
Blatt 110:38
Blatt 120:30
Blatt 520:44
Blatt 210:35
Blatt 550:27
Blatt 381:00
Blatt 470:51
Blatt 180:36
Suite "Materialien Zu Einem Ballett"20:48
Blatt 290:41
Blatt 580:37
Blatt 560:49
Blatt 320:44
Blatt 140:31
Blatt 250:29
Blatt 100:20
Streichquartett10:04
Blatt 50:36
Blatt 490:26
Blatt 310:26
Blatt 60:35
Blatt 150:43
Blatt 330:41
Blatt 40:45
Blatt 160:34
Blatt 430:19
Blatt 400:55
Blatt 270:30
Blatt 280:26
Blatt 240:39
Terminus X11:46
Funktion Gelb12:43
Blatt 530:51
Blatt 510:33
Blatt 390:37
Blatt 220:34
Blatt 170:36
Blatt 200:46
Blatt 340:49
Blatt 10:42
Blatt 360:36
Blatt 540:31
Blatt 30:21
Blatt 130:35

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Catalog Numbers

ed. RZ 2003-4

Labels

Edition RZ

Listen online

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  • online luisteren
  • lyssna på nätet
  • kuunnella verkossa
  • ascolta in linea
  • ouvir online
  • lytte på nettet

Formats

  • 2 × CD
  • Compilation

Companies

RoleCompany
Manufactured BySony DADC
Made ByWDR
Licensed FromInstituut Voor Sonologie
Recorded AtWDR Studio, Köln
Phonographic Copyright (p)Westdeutscher Rundfunk
Copyright (c)Edition RZ

Credits

RoleCredit
Composed ByGottfried Michael Koenig
Liner NotesGottfried Michael Koenig
Concept ByKees Tazelaar
Compiled ByKees Tazelaar
Mastered ByKees Tazelaar
DesignBernard Stein, Christine Berkenhoff, Nicolaus Ott
ProducerHarry Vogt (tracks: 1-1, 1-2, 2-1 to 2-60)

Notes

  • Zwei Klavierstücke
  • Suite "Materialien Zu Einem Ballett"
  • Streichquartett
  • Terminus X
  • Funktion Grün
  • Funktion Gelb
  • 60 Blätter für Streichtrio
  • Tracks 1-1 and 1-2 recorded in Köln at WDR, Saal 2, 01.09.1995
  • Track 1-3 recorded at Studio für Elektronische Musik des WDR, 1961
  • Track 1-4 recorded in Köln at WDR, Saal 1, 08.03.1961
  • Track 1-5 and 1-6 recorded at Institut für Sonologie in Utrecht, 1967
  • Track 1-7 recorded at Institut für Sonologie in Utrecht, 1968
  • Tracks 2-1 to 2-60 recorded in Köln at WDR, Saal 2, 07.-08.09.1996
  • A note about disc 2: In this recording, the pages are played in ascending order, thus from 1 to 60. Any sequence of them is legal due to the lack of an overall form. The listener is advised to use the Random or Program function of his CD-player in order to enjoy different, random-determined or planned versions of any length.
  • This CD is released on the occasion of Gottfried Michael Koenig's 80th birthday. The release would not be possible without the financial support of the Institute of Sonology / Royal Conservatory The Hague, The Société Gavigniès The Hague, Netherlands Culture Fund, NEAR / Donemus Amsterdam, Gaudeaumus Amsterdam.
  • CD 1 1-4, CD 2 1-60 Ⓟ Produktionen des Westdeutschen Rundfunks Köln, 1961-1996
  • CD 1 5-7 Ⓟ Produktionen des Instituts für Sonologie, 1967-1968
  • Packaged in a six-panel digifile with 12-page booklet with liner notes in German and English. Also includes a full catalog of Edition RZ.

Barcodes

  • Label Code: LC 08864
  • Matrix / Runout (CD1): [Sony DADC logo] A0100736193-0102 11 A1
  • Mastering SID Code (CD1): IFPI L551
  • Mould SID Code (CD1): IFPI 94Y4
  • Matrix / Runout (CD2): [Sony DADC logo] A0100736193-0202 21 A0
  • Mastering SID Code (CD2): IFPI L551
  • Mould SID Code (CD2): IFPI 94U7
  • SPARS Code: AAD
  • SPARS Code: ADD
  • SPARS Code: DDD
  • ISRC: DE-S21-06-00006-72

About Gottfried Michael Koenig

Born: 1926/10/05 in Magdeburg, Germany Died: 2021/12/30 in Culemborg, Netherlands Gottfried Michael Koenig is one of the most important composers of electroacoustic music. He was born in 1926 in Magdeburg, Germany, studied church music in Braunschweig, composition, piano, analysis and acoustics in Detmold, music representation techniques in Cologne and computer technique in Bonn. He attended the Darmstadt music summer schools for several years, later as a lecturer. From 1954 to 1964 Koenig worked in the electronic music studio of West German Radio at Cologne, assisting other composers (including Stockhausen, Kagel, Evangelisti, Ligeti), and producing his own electronic compositions (Klangfiguren, Essay, Terminus 1). During this period he also wrote orchestral and chamber music (for piano, string quartet, woodwind quintet). From 1958 he was an assistant in the radio drama department at the Cologne academy of music, where he taught electronic music, composition and analysis from 1962. In 1964 Koenig moved to the Netherlands. Until 1986 he was director and later chairman of the Institute of Sonology at the University of Utrecht. During this period the Institute acquired a worldwide reputation, particularly for its annual Sonology course. Koenig also lectured extensively in the Netherlands and other countries and developed his computer programs "Project 1

Name Vars

  • G. M. Koenig
  • G. Michael Koenig
  • Gottfried M. Koenig
  • Gottfried Michael König
  • Gottfriend Koening
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Summary by Diogo Coura

Gottfried Michael Koenig's self-titled album is a testament to his innovative approach to electronic music. The compositions on the album are complex and challenging, but also rewarding for those who are willing to listen closely. Fans of experimental and avant-garde music will find much to appreciate on this album.