Heinichen Veracini Quantz Pisendel Fasch Dieupart Musica Antiqua Köln, Reinhard Goebel - Concerti Per LOrchestra Di Dresda
Review by Scott Sadler
The album Concerti Per LOrchestra Di Dresda by Heinichen Veracini Quantz Pisendel Fasch Dieupart Musica Antiqua Köln, Reinhard Goebel is an exceptional collection of Baroque music. The album features a variety of concertos performed by the Musica Antiqua Köln orchestra, under the direction of Reinhard Goebel. Each piece is composed by a different composer, including Johann David Heinichen, Francesco Maria Veracini, Johann Joachim Quantz, Johann Georg Pisendel, Johann Friedrich Fasch, and Charles Dieupart.
The album is a treat for classical music lovers, with its exceptional sound quality and the skillful performances of the orchestra. The pieces are beautifully arranged and showcase the intricate harmonies and melodies of Baroque music. The musicianship of the Musica Antiqua Köln is evident in every piece, with each instrument blending together seamlessly to create a rich and vibrant sound.
Album: Concerti Per LOrchestra Di Dresda
Table of Contents
Download
Filename: heinichen-veracini-quantz-pisendel-fasch-dieupart-musica.zip- MP3 size: 117.6 mb
- FLAC size: 823.2 mb
Tracks
| Track | Duration | Preview |
|---|---|---|
| 2.Grave E Staccato | 1:25 | |
| 3. Réjouissance | 1:21 | |
| 7. Tempo Di Menuetto | 1:38 | |
| 3. Allegro Assai | 3:31 | |
| 5. [Finale] | 1:19 | |
| 1. Allegro - Adagio - Allegro (Seibel 204) | 2:47 | |
| 5. Aimable | 2:27 | |
| 1. Allegro Ma Non Tanto | 5:07 | |
| 2. Sarabande | 2:38 | |
| 4. La Chasse | 1:54 | |
| 1.Allegro Moderato | 5:16 | |
| 2. Andante | 4:30 | |
| 3. Un Pocco Allegro | 3:56 | |
| 6. Alegro | 1:15 | |
| Pastorale E-dur | 6:14 | |
| 4. Gigue | 3:40 | |
| 1. Vivace | 1:28 | |
| 2. Allegro | 2:15 | |
| 3. Menuett | 2:34 | |
| 1. Largo | 2:28 | |
| 3. Allegro | 1:41 |
Images
Catalog Numbers
447 644-2Labels
Archiv ProduktionListen online
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Formats
- CD
- Album
Companies
| Role | Company |
|---|---|
| Phonographic Copyright (p) | Deutsche Grammophon GmbH |
| Recorded At | Melanchthon Kirche |
Credits
| Role | Credit |
|---|---|
| Art Direction | Lutz Bode |
| Bassoon | Adrian Rovatkay, Henriette Bakker |
| Cello | Detmar Leertouwer (tracks: 16), Mark Mefsut, Markus Möllenbeck |
| Composed By | Dieupart (tracks: 8 to 10), Veracini (tracks: 20 to 24), Heinichen (tracks: 1 to 7, 16), Fasch (tracks: 11 to 13), Pisendel (tracks: 14, 15), Quantz (tracks: 17 to 19) |
| Directed By | Reinhard Goebel |
| Edited By | Mark Buecker |
| Engineer | Andrew Wedman (tracks: 16, 20 to 24), Hans-Peter Schweigmann |
| Executive-Producer | Charlotte Kriesch (tracks: 20 to 24), Peter Czornyj |
| Harpsichord | Andreas Spering (tracks: 20 to 24), Christian Rieger |
| Horn | Charles Putnam, Renée Allen |
| Liner Notes | Reinhard Goebel |
| Lute | Michael Dücker |
| Oboe | Markus Deuter (tracks: 16), Michael Niesemann, Monika Nielen, Susanne Regel (tracks: 16), Wolfgang Dey |
| Organ | Andreas Spering |
| Painting | Bernardo Bellotto |
| Recorded By | Hans-Rudolf Müller (tracks: 1 to 7, 16), Klaus Behrens, Reinhard Lagemann (tracks: 20 to 24) |
| Recording Supervisor | Arend Prohmann, Karl-August Naegler, Wolfgang Mitlehner |
| Viola | Almut Geldsetzer, Fred Guenther (tracks: 16), Marie-Luise Geldsetzer, Victoria Gunn, Wolfgang Von Kessinger (tracks: 20 to 24) |
| Violin | Anton Steck, Christoph Mayer (tracks: 16, 20 to 24), Daniel Deuter, Florian Geldsetzer (tracks: 20 to 24), Katharina Wolff (tracks: 16), Michael Hamann (tracks: 20 to 24), Sebastian Griewisch, Sherman Plessner, Ulrike Fischer (tracks: 16, 20 to 24), Ulrike Kunze, Wolfgang Von Kessinger (tracks: 1 to 15, 17 to 24) |
| Concertmaster | Florian Deuter |
| Violone | Jonathan Cable |
Notes
- ℗ & © 1995 Deutsche Grammophon GmbH, Hamburg
- Recording: October 1994, January 1995 (Heinichen: Pastorale) + August 1993 (Veracini)
- Total Time: 70:30
- Digital Recording 4D DDD
- Cover Illustration: Paintin by Bernardo Bellotto (Canaletto, 1751, Dresden Gemäldegalerie, Alte Meister, Archiv für Kunst und Geschichte, Berlin
- Include 19 page booklet with notes in English, German and French
- Printed in Germany by Münstermann, Hannover
Barcodes
- Barcode: 0 28944 76442 0
- Label Code: LC 0113
- SPARS Code: DDD
About Heinichen Veracini Quantz Pisendel Fasch Dieupart Musica Antiqua Köln, Reinhard Goebel
Born 17 April 1683 - died 16 July 1729.
German Baroque composer and music theorist who brought the musical genius of Venice to the court of the Elector of Saxony, Augustus the Strong (August der Starke), in Dresden.
He attended the Thomasschule in Leipzig (where was later to be teacher) and studied also law.
In 1710, he published the first edition of his major treatise on the thoroughbass. Then he went to Italy where he spent 7 years, mostly in Venice.
In 1717, Heinichen became a colleague of at the court of Prince Leopold of Anhalt-Cöthen, then went on to be Kapellmeister to the Elector of Saxony until his death.
He composed sacred music (12 masses, 2 requiem, 8 magnificat among others), operas, chamber and festival music.
Real Name
- Johann David Heinichen
Name Vars
- Heinichen
- J. D. Heinichen
- J.D. Heinichen
- Johann Heinichen
- Johann-David Heinrichen
