The Hollies - 20 Golden Greats
Table of Contents
Download
Filename: the-hollies-20-golden-greats.zip- MP3 size: 214.6 mb
- FLAC size: 1361.6 mb
Tracks
Track | Duration | Preview |
---|---|---|
If I Needed Someone | 2:16 | |
I Can't Tell the Bottom from the Top | 3:52 | |
What's Wrong With The Way I Live | 1:58 | |
Listen To Me | 2:39 | |
He Ain't Heavy, He's My Brother | 4:18 | |
The Air That I Breathe | 4:4 | |
Stop, Stop, Stop | 2:49 | |
He Ain't Heavy, He's My Brother | 4:20 | |
Bus Stop | 2:54 | |
I'm Alive | 2:25 | |
Long Cool Woman (In a Black Dress) | 3:17 | |
Gasoline Alley Bred | 3:53 | |
I Can't Tell The Bottom From The Top | 3:51 | |
We're Through | 2:16 | |
Carrie Anne | 2:56 | |
On a Carousel | 3:14 | |
We're Through | 2:15 | |
Yes I Will | 2:56 | |
I Can't Let Go | 2:27 | |
Carrie-Anne | 2:55 | |
Dear Eloise | 3:04 | |
On A Carousel | 3:14 | |
Stop Stop Stop | 2:49 | |
Listen to Me | 02:39 | |
Sorry Suzanne | 3:0 | |
Long Cool Woman In A Black Dress | 3:18 | |
Gasoline Alley Bread | 3:54 | |
Look Through Any Window | 2:17 | |
Stay | 2:13 | |
Jennifer Eccles | 2:55 | |
I Can't Let Go | 2:27 | |
Just One Look | 2:27 | |
Too Young To Be Married | 3:56 | |
Here I Go Again | 2:20 | |
I'm Alive | 2:26 | |
King Midas In Reverse | 3:03 | |
Yes I Will (I'll Be True to You) | 03:31 |
Video
The Hollies - Bus Stop Lyircs
The Hollies - The Air That I Breathe - HQ Audio
The Air That I Breathe By The Hollies
Long Cool Woman in a Black Dress - The Hollies
The Hollies - Bus Stop (Top Of The Pops - June 1966)
The Hollies - He Ain't Heavy, He's My Brother
Images
Catalog Numbers
- CDP 7 46238 2
- 8X-EMTV 11, OC 362-06 696
- GGC-1401
- 7 46238 2
- EMCJ(L)5140, OC 062-06-696
- CDP 7 46238 2, CZ211
- EMTV 11, OC 062-06-696
- S4 46238
- EMTV 11
- CP32-5389
- 5C 062-06696
- TC-EMTV 11
- GG-1401
- 106146, 7777 46238 4
- S2 46238
- TC-EMTV 11, 262-06 696
- TC-EMTV 11, E0145-8
- SCA 260875
- 11616
- 8E 072-6696
- CDMID166243
- 7C 062-06696
- 1066961
- TC-EMTV 11, 0C 262-06 696
- TC-EMTV 11, OC 262-06 696
- 5221, OC 062-06-696
- SCA.260875
- 7C 262-06696
- 7564
Labels
- EMI
- Capitol Records
- Capitol Special Markets
- Parlophone
Listen online
- online anhören
- ascolta in linea
- lyssna på nätet
- kuunnella verkossa
- online luisteren
- escuchar en línea
- ouvir online
- écouter en ligne
- lytte på nettet
Formats
- CD
- Compilation
- Reissue
- Remastered
- 8-Track Cartridge
- Cassette
- Dolby HX Pro B NR
- Vinyl
- LP
- Album
- Stereo
- Grey shell with blue print
- Repress
- Yellow Labels
- 33 ⅓ RPM
- Grey shell with red print
- Black Labels
Companies
Role | Company |
---|---|
Phonographic Copyright (p) | EMI Records Ltd. |
Copyright (c) | EMI Records Ltd. |
Made By | PDO, Germany |
Licensed Through | Polydor Records |
Manufactured By | Capitol Records-EMI Of Canada Limited |
Distributed By | Capitol Records-EMI Of Canada Limited |
Printed By | Interpak |
Pressed By | EMI Records |
Licensed To | EMI Records Ltd. |
Published By | Rondor Music (London) Ltd. |
Record Company | EMI Records Ltd. |
Recorded By | EMI Records |
Credits
Role | Credit |
---|---|
Producer | Ron Richards |
Mastered By | Blair's |
Photography By | Rob Henderson |
Lacquer Cut By | Blair's |
Photography | Rob Henderson |
Notes
- Made In West-Germany
- Originally released on LP in 1978
- This is the first pressing of the title by PDO, Germany.
- Came in smoth-sided jewel case
- ℗ Original Sound Recording made by EMI Records Ltd.
- *The Hollies Ltd. (* A7, A9, B10)
- Manufactured and Distributed in Canada under license by Capitol Records-EMI Canada Ltd.
- Track B1 is a mono recording electronically reprocessed to give a stereo effect.
- 7 46238 2 on spine and back cover. 7462382 on disc.
- Packaged in standard jewel case with 4 page booklet.
- Note: there is also an almost identical, but pressed later, version which has Mould SID code.
- Publishing details:
- track 1: ℗ 1974, Rondor Music (Ldn) Ltd.
- track 2: ℗ 1967, Gralto Music Ltd.
- track 3: ℗ 1966, Hournew Music Ltd.
- track 4: ℗ 1968, EMI Music Publishing Ltd
- track 5: ℗ 1965, Manchester Music Ltd
- track 6: ℗ 1966, CBS Songs Ltd
- track 7: ℗ 1971, Timtobe Music / Dick James Music Ltd
- track 8: ℗ 1964, Carlin Music Corp
- track 9: ℗ 1970, Abacus Music Ltd
- track 10: ℗ 1965, S. Bernstein & Co Ltd
- track 11: ℗ 1965, Screen Gems EMI Music Ltd
- track 12: ℗ 1967, Lorna Music Co Ltd
- track 13: ℗ 1969, State Music Ltd / ATV Music Ltd
- track 14: ℗ 1970, Dick James Music Ltd
- track 15: ℗ 1964, Maribus Music Ltd
- track 16: ℗ 1968, Gralto Music Ltd
- track 17: ℗ 1966, Gralto Music Ltd
- track 18: ℗ 1966, Gralto Music Ltd
- track 19: ℗ 1964, Premier Music (Leosong)
- track 20: ℗ 1969, Heath Levy Music Co Ltd
- In booklet:
- ℗ Original Sound Recordings made by EMI Records Ltd. except tracks 1, 2, 4, 7, 9, 13, 14, 16 to 18, 20 Original Sound Recordings made by The Hollies Ltd.
- Under exclusive license to EMI Records Ltd.
- This Compilation ℗ 1978 EMI Records Ltd.
- On disc:
- Digital Mastering [A|D|D]
- Made in UK
- This compilation ℗ 1978 EMI Records Ltd
- © 1978 EMI Records Ltd
- On traycard:
- Label hybrid of 20 Golden Greats & 20 Golden Greats
- Made in Gt. Britain
- Issued in a full gloss laminated sleeve and including a custom printed inner sleeve advertising other Hollies albums.
- B1 is a mono recording electronically reprocessed to give a stereo effect on stereo equipment
- Made in Canada. Distributed by Capitol Records - EMI Canada
- Formerly GGC 1401
- Issued in a full gloss laminated sleeve and including black inner sleeve.
- 1st pressing
- ℗1963 B2
- ℗1964 A8, B5, B9
- ℗1965 A5, A10, B1,
- ℗1966 A3, A6, B7, B8
- ℗1967 A2,
- ℗1968 A4, B6
- ℗1969 B3, B10
- ℗1970 A9, B4
- ℗1971 A7
- ℗1974 A1
- On the inlay:
- TC-EMTV 11
- [10 6696 4]
- Printed Barcode.
- 20 great sounds that grew out of the North.
- Printed in England.
- Manufactured in England.
- This Stereo "Musicassette" Also Gives Genuine Monaural Reproduction
- Dolby System
- Cassette tape is clear with blue tint, with white printed text.
- Made and Distributed in Canada under license by Capitol Records - EMI Canada Limited.
- Grey shell with blue print.
- On CD: Made in UK
- Note: there is also an almost identical, but earlier, version without SID codes.
- Made in EU.
- White tape with four screws, black credits printed directly on case.
- Folder insert, printed one side
- ℗ EMI Records Ltd. © 1988
- HANYA UNTUK DIJUAL DI INDONESIA
- This version has yellow labels with red rim text and EMI in a red block.
- Back cover:
- Country of Manufacture of record is stated on record label
- Track B1 is a mono recording electronically reprocessed to give a stereo effect on stereo equipment
- Labels:
- Manufactured in the UK by EMI Records Limited
- Release date : 17 November 1986
- Rear cover:
- EMI Records Australia
- Manufactured and distributed by EMI Music Group of companies, Sydney, Australia and Lower Hutt, New Zealand.
- This compilation (P) 1986 EMI Records Australia (C) 1986 EMI Records LTD.
- Media:
- Parlophone. Made in Australia by EMI (Australia) Limited
- Made in Colombia
- Portuguese Edition
- Label says "Made in Sweden"
- Grey shell with red print.
- OC [262-06 696]
- 20 great sounds that grew out of the north.
- Made and printed in Great Britain
- On the clear cassette body:
- Chilean version
- Labels on tape seems to be stuck on an original tape with a different print.
Barcodes
- Barcode (Text): 0 77774 62382 7
- Matrix / Runout: CDP 746238-2 2896 910 01* MADE IN W.GERMANY BY PDO
- Rights Society: GEMA
- Label Code: LC 0542
- SPARS Code: ADD
- Barcode: 0 77774 62382 7
- Matrix / Runout: A850799-01 manufactured by optimal media production 7462382
- Rights Society: BIEM/MCPS
- Barcode: none
- Other (SPARS Code): ADD
- Matrix / Runout: EMTV-11-A
- Matrix / Runout: EMCJ(L) 5140
- Matrix / Runout: EMTV-11-B
- Barcode (Scanned): 0077774623827
- Matrix / Runout (Variant 1): CDP 746238 2 . 8 : 8 : 6 . EMI SWINDON
- Matrix / Runout (Variant 2): CDP 746238 2 . 8 : 8 : 2 . EMI SWINDON
- Matrix / Runout (Variant 3): 746238 2 .11 :5:6 EMI SWINDON
- Barcode (Text): 5 099910 669617
- Barcode (Scanned): 5099910669617
- Matrix / Runout (A-Side runout stamp): EMTV 11 A - 5
- Matrix / Runout (B-Side runout stamp): EMTV 11 B - 6
- Other (Boxed): 10 6696 1
- Other: 7806
- Rights Society: MCPS
- Other (Inner sleeve): EMTV 11(I)
- Matrix / Runout (Side A label): EMTV.11A
- Matrix / Runout (Side B label): EMTV.11B
- Matrix / Runout (Runout, A-side, stamped. Variant 1): EMTV 11 A-2
- Matrix / Runout (Runout, B-side, stamped. Variants 1 & 2): EMTV 11 B-3
- Matrix / Runout (Runout, A-side, stamped. Variant 2): EMTV 11 A-3
- Matrix / Runout (Runout, A-side, stamped. Variant 3): EMTV 11 A-5
- Matrix / Runout (Runout, B-side, stamped. Variant 3): EMTV 11 B-2
- Matrix / Runout (Runout, A-side, stamped. Variant 4): EMTV 11 A-3 G O 1
- Matrix / Runout (Runout, B-side, stamped. Variant 4): EMTV 11 B-3 I.I P 2
- Matrix / Runout (Runout, A-side, etched. Variant 1): BLAIR'S CUT
- Matrix / Runout (Runout, A-side, etched. Variant 2): BLAIR
- Barcode: 0 7777-46238-4 1
- Barcode (Scanned): 077774623841
- Barcode: 0190295646035
- Label Code: LC 30419
- Matrix / Runout: CP32-5389 2A1 TO
- Rights Society: JASRAC
- Other (Price): ¥3,200
- Matrix / Runout (Etched Side 1): 5C062-06696-A//366699-2-Y
- Matrix / Runout (Etched Side 2): 062-06696-B//36700-4-Y
- Rights Society: BIEM/STEMRA
- Label Code: 0542
- Barcode: 5 099910 669648
- Rights Society: STEMRA
- Barcode (Printed): 0 7777 46238 4 1
- Barcode (Scanned): 077774623827
- Matrix / Runout (Variant 1): CDP 746238-2 2896 910@1 + +
- Matrix / Runout (Variant 2): CDP 746238-2 2896 910@1+3 +1 +
- Barcode: 077774623827
- Rights Society: BIEM
- Matrix / Runout (Variant 1): 746238 2 .11:1:8. EMI SWINDON
- Matrix / Runout (Variant 2): CDP 746238 2 . 11:5:6 EMI SWINDON
- Mould SID Code: ifpi 1403
- Other (SPARS code): ADD
- Matrix / Runout: EMI UDEN 7462382 @ 1 2-1-3-NL
- Mastering SID Code: IFPI L046
- Mould SID Code: IFPI 153F
- Rights Society (B10): MCPS
- Matrix / Runout (Label side A): EMTV.11 A
- Matrix / Runout (Label side B): EMTV.11B
- Matrix / Runout (Runout side A, stamped/etched): EMTV 11 A-2 175 BLAIR's
- Matrix / Runout (Runout side B, stamped): EMTV 11 B-4 166
- Barcode: 5 099926 087511
- Matrix / Runout (Side A etched): SCA 260875A
- Matrix / Runout (Side B etched): SCA 260875B
- Matrix / Runout: SCA 260875
- Barcode: 509926087511
- Matrix / Runout (Runout, A-side, etched. Variants 1 & 2): BLAIR'S
- Barcode: 5099916624320
- Matrix / Runout: 7C 062 06696 A 2 A
- Matrix / Runout: 7C 062 06696 B A
- Rights Society: NCB
- Matrix / Runout (Runout, A-side, etched. All variants): BLAIR'S
- Barcode: 5 099910 669617
- Matrix / Runout (Side A runout etched): EMTV-11A
- Matrix / Runout (Side B runout etched): EMTV-11B (r)
- Label Code: Black Labels
- Other: EMI 731
About The Hollies
The Hollies are an English pop group formed in Manchester in the early 1960s. Most of the band members are from throughout East Lancashire. Known for their distinctive vocal harmony style, they became one of the leading British groups of the 1960s and early-1970s. They enjoyed considerable popularity in many countries, although they did not achieve major US chart success until 1966. Along with the Rolling Stones, they are one of the few British pop groups of the early 1960s that have never officially broken up and that continue to record and perform. The Hollies were inducted to the Rock and Roll Hall of Fame in 2010.
Name Vars
- A Hollies Ltd. Production
- Halies
- Holies
- Hollie
- Hollies
- Hollies Production
- Les Hollies
- Los Hollies
- New Hollies
- The Hollies Co. Ltd.
- The Holly's
- The New Hollies
- «Hollies»
- Анс. \
- Ансамбль «Холлиз»
- Холлиз
- ¶ûÛêüº
- 󐟼
Members
- Pete Wingfield
- Mikael Rickfors
- Allan Clarke
- Graham Nash
- Ian Parker
- Carl Wayne
- Paul Bliss
- Denis Haines
- Alan Coates
- Terry Sylvester
- Ray Stiles
- Tony Hicks
- Bernie Calvert
- Eric Haydock
- Peter Howarth
- Bobby Elliott
- Steve Stroud
- Peter Arnesen
- Steve Lauri
- Don Rathbone
Comments
2023-04-12
“Bus Stop” was authored by 19 year old Graham Gouldman (who would later form the band 10cc). Graham had the idea for the bus stop setting, and his father, a skilled lyricist nicknamed “Hyme the Rhyme”, came up with the first line : “Bus stop, wet day, she’s there, I say, ‘please share my umbrella.’”
When Gouldman played it for The Hollies, they knew at once that they were offered a KNOCKOUT❕
According to Gouldman, this piece’s middle eight was one of very few instances when he had a sudden inspiration rather than having to resort to hard toil. He explained : “You have to be working to make something happen. Occasionally you can wait for some magic, like McCartney waking up with ‘Yesterday’ already written in his mind […] - it’s like a gift from your own subconscious. Or sometimes, it’s like a tap’s turned on. When I’d written most of ‘Bus Stop’, I was actually on a bus thinking about how the middle eight should go. And this whole, ‘Every morning I would see her waiting at the stop / Sometimes she’d shop…’ that all came to me in one gush […].”
There is a short instrumental passage midway through the song, but the vocals, by Allan Clarke, truly carry the day❕The only real verse section is in the middle - the rest is chorus and bridge, which is flipped at the end - “Every morning I would see her waiting at the stop” comes before “bus stop, wet day”, providing a perfect bookend.
With so little verse, there are very few details - we don’t know what the bus or passengers look like - but that works because the listener can fill in the gaps. That is a technique Gouldman picked up from THE BEATLES❕ “Sometimes it’s what’s left out that makes it work”, he said.
PAY CLOSE ATTENTION and you will perceive HOW ALIKE The Hollies’ “Bus Stop” (1966) & The Beatles’ “Things We Said Today” (1964) SOUND‼️ ???
When Gouldman played it for The Hollies, they knew at once that they were offered a KNOCKOUT❕
According to Gouldman, this piece’s middle eight was one of very few instances when he had a sudden inspiration rather than having to resort to hard toil. He explained : “You have to be working to make something happen. Occasionally you can wait for some magic, like McCartney waking up with ‘Yesterday’ already written in his mind […] - it’s like a gift from your own subconscious. Or sometimes, it’s like a tap’s turned on. When I’d written most of ‘Bus Stop’, I was actually on a bus thinking about how the middle eight should go. And this whole, ‘Every morning I would see her waiting at the stop / Sometimes she’d shop…’ that all came to me in one gush […].”
There is a short instrumental passage midway through the song, but the vocals, by Allan Clarke, truly carry the day❕The only real verse section is in the middle - the rest is chorus and bridge, which is flipped at the end - “Every morning I would see her waiting at the stop” comes before “bus stop, wet day”, providing a perfect bookend.
With so little verse, there are very few details - we don’t know what the bus or passengers look like - but that works because the listener can fill in the gaps. That is a technique Gouldman picked up from THE BEATLES❕ “Sometimes it’s what’s left out that makes it work”, he said.
PAY CLOSE ATTENTION and you will perceive HOW ALIKE The Hollies’ “Bus Stop” (1966) & The Beatles’ “Things We Said Today” (1964) SOUND‼️ ???
2023-04-11
Graham Nash at 1:34 ?
2023-04-11
Under My Umbrella."
2023-04-11
I was 3 months old when this came out but I've loved this song all my life
2023-04-10
Awesome guys.❤❤❤
2023-04-10
I love with them!
2023-04-10
Listening to the BBC while living in Paris. Great memory.
2023-04-09
0:02 Me contemplating life's Biggest mysteries while i'm at work.
great song. the 60's must have been a phenomenal time to be alive. what great music during this period.
great song. the 60's must have been a phenomenal time to be alive. what great music during this period.
2023-04-09
THIS SONG IS ALMOST MY AGE HAHAHA
2023-04-09
I might have been born in January of 1966, but I grew up loving "The Hollies" and still think their music is great!!
2023-04-09
Murag lageg Beatles Ang hollies
2023-04-08
One of Graham Gouldman's compositions. Still works and rocks.
2023-04-07
Zbrodnią jest gasić płomień w oczach ludzi
2023-04-07
Was acting retarded cool back then ? Great song tho!!!
2023-04-07
Very clever lyric timing.
2023-04-06
It is still good to Hollies after all these years.
2023-04-05
It reminds when I was in std4
2023-04-04
One of the greatest bands ever!