James Newton Howard - Primal Fear Music From The Motion Picture Soundtrack

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Review by Justin Beckett

Primal Fear Music From The Motion Picture Soundtrack, composed by James Newton Howard, is a stunning collection of music that perfectly captures the suspense and drama of the film. From the haunting opening track "Main Title" to the climactic "End Credits," Howard's score is a masterful blend of orchestral and electronic elements that creates a tense and foreboding atmosphere throughout.

The album is a testament to Howard's skill as a composer, as he expertly weaves together various musical themes and motifs to create a cohesive and emotionally impactful soundtrack. Tracks like "Courtroom Montage" and "Meeting With Aaron" showcase Howard's ability to build tension and suspense, while "Martin Meets Aaron" and "The Confession" are poignant and moving pieces that highlight the film's more emotional moments.

Download James Newton Howard - Primal Fear Music From The Motion Picture Soundtrack
Artist: James Newton Howard
Album: Primal Fear Music From The Motion Picture Soundtrack
Rating: 4.5

Table of Contents

Download

Filename: james-newton-howard-primal-fear-music-from-the-motion-picture.zip
  • MP3 size: 110 mb
  • FLAC size: 1078 mb

Tracks

TrackDurationPreview
Got An Asprin?
I'm Arrogant
Janet Finds Video
Chasing Alex
What Did You Say?
Switching Videos
Don't Smile
Aaron On Stand
Roy's Freeze Frame
Martin Meets Aaron
Introitus: Cibavit Eos
Roy Appears
Under The Tracks
The Murder Scene
Dinner With Shaughnessy
Canção Do Mar
Don't Deceive Me (Please Don't Go)
Love Hurts
Molly's Interview
Courtroom Montage
Lacrimosa From Requiem
Martin Reviews Crime Scene

Images

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Catalog Numbers

198 351-2

Labels

Milan, Universal, Universal Licensing Music (ULM)

Listen online

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Formats

  • CD
  • Album
  • Reissue
  • HDCD

Companies

RoleCompany
Phonographic Copyright (p)Milan Entertainment, Inc.
Copyright (c)Milan Entertainment, Inc.
Recorded AtParamount Scoring Stage
Mixed AtParamount Scoring Stage
Mastered AtOceanview Digital Mastering

Credits

RoleCredit
Co-producerMichael Mason
Composed ByJames Newton Howard
Orchestrated ByJames Newton Howard
ProducerJames Newton Howard
PianoJames Newton Howard
KeyboardsJames Newton Howard
Programmed ByJames Newton Howard
SynthesizerJames Newton Howard
ConcertmasterStuart Canin
ConductorArtie Kane
ContractorSandy de Crescent
CrewDominic Gonzales, Norm Dlugatch
Edited ByJim Weidman
Electric GuitarMichael Thompson
EngineerBill Schnee, David Reitzas
English HornBarbara Northcutt
SoloistBarbara Northcutt
Executive-ProducerEmmanuel Chamboredon, Toby Pieniek
HornsTerence Blanchard
Mastered ByJoe Gastwirt
PercussionMichael Fisher
Recorded ByPaul Wertheimer
Mixed ByShawn Murphy
Supervised ByDavid Franco

Barcodes

  • Barcode: 3 259119 835127
  • Label Code: LC 8126
  • SPARS Code: DDD

About James Newton Howard

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Born: June 9, 1951, Los Angeles, California. Composer, conductor, arranger and music producer. Dedicated mostly to film/TV scoring (The Prince of Tides, Wyatt Earp, ER, The Sixth Sense, Dinosaur, The Village, The Dark Knight...), job where he has recurrently collaborated with writers/directors and . He has worked also with pop/rock artists at the early years of his career (notably with , and ). He's been nominated to 8 Academy Awards, having won an Emmy Award and a Grammy Award (with a total of 41 wins and 27 nominations to different awards).

Name Vars

  • H. J. Newton
  • H. James
  • Howard
  • J Newton Howard
  • J Newton-Howard
  • J. Howard
  • J. N. Howard
  • J. Newton
  • J. Newton Howard
  • J. Newton-Howard
  • J.N. Howard
  • J.N.H.
  • J.Newton Howard
  • James
  • James (Lil' Jimmie) Newton Howard
  • James Howard
  • James N. Howard
  • James Newton
  • James Newton, Howard
  • James Newton-How.
  • James Newton-Howard
  • James-Newton Howard
  • Jim Howard
  • John Howard
  • Newton H.
  • Newton Howard
  • Newton/Howard
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Summary by Justin Beckett

Primal Fear Music From The Motion Picture Soundtrack is a must-have for fans of film music and James Newton Howard in particular. It's a powerful and memorable score that perfectly complements the film's themes and performances, and stands on its own as a work of art.