Klemperer, Philharmonia Orchestra Brahms - Symphony No1
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Filename: klemperer-philharmonia-orchestra-brahms-symphony-no1.zip- MP3 size: 12.4 mb
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Tracks
Track | Duration | Preview |
---|---|---|
Andante Sostenuto | ||
Un Poco Contenuto - Allegro | ||
Adagio-Piu Andante - Allegro Non Troppo Ma Con Brio | ||
Un Poco Allegretto Gracioso |
Video
Brahms - Symphony No.1, op.68 - Klemperer, Philharmonia (1956 STEREO)
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Catalog Numbers
S 35481Labels
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Formats
- Vinyl
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Notes
- Litho in USA
- Recorded In Europe
About Klemperer, Philharmonia Orchestra Brahms
German conductor and composer, born 14 May 1885 in Breslau, Lower Silesia, German Empire (today Wrocław, Poland) and died 6 July 1973 in Zürich, Switzerland.
Klemperer went on to hold a number of positions, in Hamburg (19101912); in Barmen (19121913); the Strasbourg Opera (19141917); the Cologne Opera (19171924); and the Wiesbaden Opera House (19241927). From 1927 to 1931, he was conductor at the Kroll Opera in Berlin. In 1935, he migrated to the United States, residing in California after being appointed music director of the , a position he held until 1939. After World War II, he returned to Europe to work at the Budapest Opera (19471950). In 1954, , engaged Klemperer to conduct the in performances of music by Beethoven, Brahms and much more repertoire for Records. Klemperer became the first principal conductor of the Philharmonia Orchestra in 1959. His last concert was in September 1971.
Father of and , cousin of .
Real Name
- Otto Nossan Klemperer
Name Vars
- Dr. Otto Klemperer
- Generalmusikdirektor Otto Klemperer
- Klemperer
- O. Klemperer
- О. Клемперер
- Отто Клемперер
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Comments
2023-04-12
Superb. Klemps at his finest.
2023-04-11
those blows at the beginning at that slow tempo are unequalled by any other conductor.
2023-04-11
This is THE performance of the Brahms First, truly in a class by itself.
2023-04-11
堅固の造形と気迫あふれる演奏で巨匠クレンペラーが蘇える。
2023-04-11
フィルハーモニアの歴史はクレンペラーなしには語れない。
柱が中心にしっかりあってその周りを想像の世界が渦巻いていく
クレンペラーの世界は揺るぎないそのものだ!
柱が中心にしっかりあってその周りを想像の世界が渦巻いていく
クレンペラーの世界は揺るぎないそのものだ!
2023-04-11
Best conductor ever
2023-04-11
Brahms jumping on intensity early. It doesn't get any better than this, maybe as terrific, but not any better.
2023-04-10
Impresionante version, con klemperer y legge
2023-04-10
What I love about Brahms is his generosity in tone, range and syntax. Works so much better with broader, slower tempi and rubato
2023-04-10
Damn! Granitic
2023-04-10
Otto The Great.
2023-04-10
Ouvindo por recomendação do professor Olavo de Carvalho.
2023-04-10
look no farther
2023-04-10
I love how all voices are " in focus " especially 2nd movement
2023-04-10
Bravo Mr Klemperer.. ????
2023-04-10
I dislike this piece. Hypocritical. I like only the second movement in its own right. Klemperer and Philharmonia are as good as usual.
Different.
Different.
2023-04-09
This dynamism is amazing. A performance in which the elements of Furtwangler are clarified. However, there is no indication in the score that you should hit the timpani with such a hitting tension that the skin is likely to break. However, Klemperer is a friend of Furtwangler's only good public and private opponents to counter Karajan, who he saw as cheeky with Furtwenger. After being struck by Walter Legge, he took over the Philharmonia from Karayan, and after using it as a pot, the evaluation finally improved. Philharmonia was perfected through a huge recording with Karajan.
2023-04-09
Brahms gave this two thumbs up from the grave.
2023-04-08
Yes. It seems like a horn dynamic "glissando
2023-04-07
Sublime.
2023-04-07
The great Otto Klemperer:One of my favourite of the greatest conductors...
2023-04-07
Hermosa interpretación...en el top de cualquier lista
2023-04-07
さすがは、マエストロ。奥深い演奏ですね。一点のミスも、有りませんし、見事な名録音だと、思います。心に、ひびきますね。
2023-04-06
I especially like Ludwig’s wonderful singing: such anguish in her voice
2023-04-05
冒頭のティンパニーの強打から始まるからクレンペラーの気迫に満ちた演奏が素晴らしいね!これ欲しい!
2023-04-04
a King's music.
2023-04-03
拝見 クレンペラー先生。
20年ぶりの再会であります。
あの頃はまだ若造で、
先生の芸風の深遠さが
理解できず、失礼しました。
リマスタリングが大変向上し、
やっと先生の藝術を正しく
認識できるようになりました。
では。
20年ぶりの再会であります。
あの頃はまだ若造で、
先生の芸風の深遠さが
理解できず、失礼しました。
リマスタリングが大変向上し、
やっと先生の藝術を正しく
認識できるようになりました。
では。
2023-04-02
Recorded ; 28 Mar 1957, Kingsway Hall, London