Anton Bruckner, Wiener Philharmoniker Carlo Maria Giulini - Symphonie No 9

Review by Kikko Freitas

Symphonie No 9 by Anton Bruckner, performed by the Wiener Philharmoniker under the baton of Carlo Maria Giulini, is a stunning example of the composer's late style. The music is characterized by its grandeur, its complexity, and its spiritual intensity. The orchestra, led by Giulini, delivers an impassioned and nuanced performance, bringing out the full range of emotions and textures in the music.

The symphony is divided into four movements, each of which showcases Bruckner's mastery of orchestration and his ability to create powerful musical climaxes. The first movement, marked Andante comodo, begins with a somber and introspective theme that gradually builds in intensity before reaching a majestic climax. The second movement, marked Scherzo, is a lively and energetic dance, full of intricate rhythms and playful melodies. The third movement, marked Adagio, is the emotional heart of the symphony, a deeply moving meditation on death and transcendence. Finally, the fourth movement, marked Finale, is a triumphant and exultant celebration of life, full of soaring melodies and thundering brass.

Throughout the symphony, the Wiener Philharmoniker plays with precision and passion, bringing out the subtle nuances and complex harmonies of Bruckner's music. Giulini's conducting is masterful, balancing the various sections of the orchestra and shaping the music with a keen sense of drama and emotion.

Summary by Kikko Freitas

Symphonie No 9 by Anton Bruckner, performed by the Wiener Philharmoniker under the direction of Carlo Maria Giulini, is a must-have for any classical music lover. It is a powerful and moving work of art that showcases the composer's genius and the orchestra's virtuosity. Highly recommended.