BachEnsemble, Helmuth Rilling - BWV 125 Mit Fried Und Freud Ich Fahr Dahin BWV 156 Ich Steh Mit Einem Fuss Im Grabe

Review by Kaan Mandaci

The BachEnsemble, conducted by Helmuth Rilling, presents a stunning performance of two of Bach's cantatas, BWV 125 Mit Fried und Freud ich fahr dahin and BWV 156 Ich steh mit einem Fuß im Grabe. The ensemble's attention to detail and precision is evident throughout both works, showcasing the depth of Bach's mastery of counterpoint and harmony.

In BWV 125, the ensemble delivers a poignant interpretation of the chorale, "Mit Fried und Freud ich fahr dahin," which serves as the cantata's opening and closing movements. The instrumentalists and vocal soloists alike bring a sense of reverence and contemplation to the piece, capturing the spiritual essence of the text.

BWV 156, on the other hand, is a more somber and introspective work, with the text reflecting on the inevitability of death. The ensemble's interpretation is hauntingly beautiful, with the soloists' voices blending seamlessly with the delicate instrumental accompaniment.

Summary by Kaan Mandaci

the BachEnsemble's recording of BWV 125 Mit Fried und Freud ich fahr dahin and BWV 156 Ich steh mit einem Fuß im Grabe is a testament to both Bach's genius and the ensemble's skill. It is a must-listen for any fan of classical music or choral works.