Beethoven, Karl Böhm - Symphony No 9 Choral Symphony No 3 Eroica
Review by Joshua Obaigwa
The album Symphony No 9 Choral Symphony No 3 Eroica by Beethoven, conducted by Karl Böhm, is a magnificent musical experience that showcases the brilliance of the composer and the conductor alike. The album features two of Beethoven's most iconic symphonies - the Ninth Symphony, also known as the Choral Symphony, and the Third Symphony, also known as the Eroica.
Böhm's interpretation of these symphonies is masterful, capturing the depth, complexity, and emotional intensity of Beethoven's music. The Ninth Symphony, with its famous choral finale, is a tour de force of orchestration and vocal performance, and Böhm's handling of the massive forces required for this piece is nothing short of remarkable. The soloists and choir are equally impressive, delivering a performance that is both powerful and moving.
The Third Symphony, meanwhile, is a groundbreaking work that marked a turning point in Beethoven's career. Böhm's interpretation of this piece is nuanced and sensitive, bringing out the subtleties of the music and highlighting the composer's revolutionary approach to symphonic form.
Table of Contents
Download
Filename: beethoven-karl-bhm-symphony-no-9-choral-symphony-no-3-eroica.zip- MP3 size: 71 mb
- FLAC size: 312 mb
Tracks
| Track | Duration | Preview |
|---|---|---|
| Marcia Funebre. Adagio Assai | 16:08 | |
| Molto Vivace | 12:10 | |
| Finale. Allegro Molto | 12:20 | |
| Allegro Ma Non Troppo, Un Poco Maestoso | 16:40 | |
| Presto - Allegro Assai (With Final Chorus From Schiller's "Ode To Joy" | 27:02 | |
| Allegro Con Brio | 14:47 | |
| Symphony No. 3 in E Flat Major, Op. 55 "Eroica" | ||
| Symphony No. 9 in D Minor, Op. 125 | ||
| Scherzo. Allegro Vivace | 6:03 | |
| Adagio Molto E Cantabile | 16:30 |
Images
Catalog Numbers
413 221-4, 413 221-4 GX2Labels
Deutsche GrammophonListen online
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Formats
- 2 × Vinyl
- LP
- Compilation
- Box Set
Companies
| Role | Company |
|---|---|
| Printed By | Druckhaus Maack KG |
| Published By | Polydor International GmbH |
Credits
| Role | Credit |
|---|---|
| Composed By | Ludwig van Beethoven |
| Conductor | Karl Böhm |
| Design | Werner Koberstein |
| Engineer | Günter Hermanns |
| Illustration | Ernst Emil Höfer |
| Lyrics By | Friedrich Von Schiller |
| Orchestra | Wiener Philharmoniker |
| Photography By | Siegfried Lauterwasser, Werner Neumeister |
| Producer | Dr. Ellen Hickmann, Dr. Hans Hirsch |
| Recording Supervisor | Wolfgang Lohse |
Notes
- 2LP Box set, bundles two previously released DGG titles: 2530 437 and 2707 073 .
- Contains the lyrics to "Ode to Joy" by Friedrich von Schiller in German, English and French. The front cover is a a coloured reproduction of a steel engraving ("Stahlstich" in German) by the German artist Ernst Emil Höfer.
Barcodes
- Barcode: 0 28941 32211 1
- Label Code: LC 0173
- Matrix / Runout (Side A (stamped): 2561 170 S 5 = 11 320 4 G H
- Matrix / Runout (Side B (stamped): 413 222 - 1 S 2 = 2 320 L 0 - 2 A
- Matrix / Runout (Side C (stamped): 2561 175 S 16 = 8 320 1
- Matrix / Runout (Side D (stamped): 112 018 S 2 = 9 320 Z A I 0 · 1 · 0 · 1 2
About Beethoven, Karl Böhm
German composer and pianist, born in 1770 (baptized 17 December 1770) in Bonn, Germany and died 26 March 1827 in Vienna, Austria.
A crucial figure in the transition between the Classical and Romantic eras in classical music. Beethoven led Viennese Classicism to its highest development and paved the way for Romantic music.
Beethoven was the eldest son of a singer in the Kapelle of the Archbishop-Elector of Cologne and grandson of the Archbishop's Kapellmeister. He moved in 1792 to Vienna, where he had some lessons from Haydn and others, quickly establishing himself as a remarkable keyboard-player and original composer. By 1815 increasing deafness made public performance impossible and accentuated existing eccentricities of character, patiently tolerated by a series of rich patrons and his royal pupil the Archduke Rudolph.
Beethoven did much to enlarge the possibilities of music and widen the horizons of later generations of composers. To his contemporaries he was sometimes a controversial figure, making heavy demands on listeners both by the length and by the complexity of his writing, as he explored new fields of music.
Real Name
- Ludwig van Beethoven
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- Μπετόβεν
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