Roy Gaines - I Got The T Bone Walker Blues
Review by Lynise Doctoroff
Roy Gaines' album, I Got The T Bone Walker Blues, is a tribute to the legendary blues guitarist T Bone Walker. The album features Gaines' unique style of playing, which blends traditional blues with jazz and swing.
The album starts with the title track, "I Got The T Bone Walker Blues," which immediately sets the tone for the rest of the album. Gaines' guitar playing is exceptional, with his solos showcasing his technical prowess and his ability to convey emotion through his playing.
The album also features several covers of T Bone Walker's songs, including "Stormy Monday" and "Call It Stormy Monday." Gaines' versions of these songs pay homage to the original recordings while also showcasing his own style of playing.
One of the standout tracks on the album is "West Side Baby," which features Gaines' vocals in addition to his guitar playing. His soulful voice perfectly complements the bluesy guitar riffs, making for a truly memorable track.
Table of Contents
Download
Filename: roy-gaines-i-got-the-t-bone-walker-blues.zip- MP3 size: 169.4 mb
- FLAC size: 1056 mb
Tracks
| Track | Duration | Preview |
|---|---|---|
| Dream Girl | 5:04 | |
| I'm In An Awful Mood | 8:32 | |
| Honky Tonk Blues | 4:31 | |
| T-Bone Blues | 5:35 | |
| House Of Gold | ||
| Honky Tong Blues | 4:33 | |
| I'm in an Awful Mood | 8:35 | |
| I Got A Break Baby | 4:34 | |
| West Side Baby | 5:39 | |
| T-Bone Shuffle | 3:13 | |
| Stormy Monday (Acoustic) | 3:31 | |
| Stormy Monday | 3:35 | |
| I Got a Break Baby | 4:36 | |
| Stormy Monday [acoustic] | 3:31 | |
| That Old Feeling Is Gone | 4:9 | |
| The Hustle Is On | 4:42 | |
| Dreamgirl | 5:5 | |
| Honkey Tonk Blues | 04:33 | |
| The House Of Gold | ||
| The Hustle Is Gone | 04:42 | |
| Westside Baby | 5:41 | |
| Hustle Is Gone | 4:40 |
Images
Catalog Numbers
- GRV1002-2
- GRV1002
- GRV1002-RTR
- GRV1002-3
- GRV1002-1
- GRV 1002-45
Labels
- Groove Note
- Native DSD Music v.o.f.
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- ascolta in linea
- lyssna på nätet
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Formats
- CD
- Album
- File
- DSF
- Reissue
- DSD 64
- 2 × Reel-To-Reel
- 15 ips
- ¼"
- 2-Track Stereo
- 10.5" NAB Reel
- Limited Edition
- SACD
- Vinyl
- LP
- 180gm Vinyl
- 12"
- 45 RPM
- 180gm
- 2 × Vinyl
- NAB
Companies
| Role | Company |
|---|---|
| Licensed From | Analogue Archive Pte. Ltd. |
| Manufactured By | Groove Nation Records |
| Phonographic Copyright (p) | Groove Note Records |
| Copyright (c) | Groove Note Records |
| Distributed By | Groove Nation Records |
| Recorded At | Ocean Way Recording |
Credits
| Role | Credit |
|---|---|
| Acoustic Bass | Bill Stuve |
| Drums | Steve Magulian |
| Guitar | Roy Gaines |
| Vocals | Roy Gaines |
| Pedal Steel Guitar | Al Velasco (tracks: 8) |
| Piano | Andy Kaulkin |
| Tenor Saxophone | Clifford Solomon, George Parker (tracks: 4,6,9) |
| Trumpet | Will Miller |
| Violin | Brently Kearns (tracks: 8) |
| Executive Producer | Sebastian Koh, Ying Tan |
| Mastered By | Bernie Grundman |
| Producer | Joe Harley |
| Engineer | Michael C. Ross, Rafa Sardina |
| Recorded By | Michael C. Ross |
| Graphics | James Lizardi, Kathleen B. |
| Photography | Joe D'Allesio |
Notes
- On CD : 24 BIT - STEREO
- Analog Recording Equipment: ATR-100 2 Track. Tape: BASF 900 @ 30 ips
- Executive Producers: Ying Tan and Sebastian Koh
- Mastering Engineer: Bernie Grundman
- Mastering Room: DSD 128 and DSD 256 Download Files Created by Tom Caulfield at the NativeDSD Mastering Lab, Marshfield, MA
- Microphones: AKG C-12, C-12A, KM 54 Neumann M-50, M-49, U-67, 251, U-47FET, Sony C55p, Shure 57
- Notes:
- We are pleased to announce the availability of Groove Note releases in DSD 128 and DSD 256, in addition to the original DSD 64 releases. These higher bit rate DSD 128 and DSD 256 releases are all pure DSD created.
- They are not up samplings, for there are no PCM or DXD conversions involved in their production. They are re-modulations of the original DSD 64 encoding modulation that produced the DSD 64 releases. The sonic advantage to these new Stereo and Multichannel DSD 128 and DSD 256 releases, as with all higher DSD bit rate releases, is the wider frequency passband prior to the onset of modulation noise.This results in the listener’s DAC using gentler and more phase linear filters for playback of the music.
- Producer: Joe Harley
- Recording location: OceanWay/Record One, Sherman Oaks, CA, August 11 & 12, 1998
- Recording Type & Bit Rate: Analog to DSD
- This album was recorded to Analog tape. It was then transferred to the DSD bit rate indicated above.
- The Catalog Number on the artwork is incorrect. GRV2002-RTR should be GRV1002-RTR.
- Features:
- • Limited Production Run of only 15 Total!
- • Original Direct-To 2-Track Recording
- • Dubs made by Bernie Grundman using the Original 30 ips 1/4" 2-Track Masters
- • Repros of Original Cover Art Included
- • Made at 15 ips and EQ are NAB
- • 2 Reels, 1/4 inch High Quality Tape, 10 1/2" reels
- • 1kHz alignment tone
- Recorded August 11 and 12, 1998
- There is a typo on the back of the printed artwork. The catalog number is listed as GRV2002-RTR, and it should be GRV1002-RTR. Also there is not track time for "House Of Gold" on the printed artwork, and label on box 2-of-2.
Barcodes
- Barcode (Scan): 660318100221
- Barcode (Text): 6 60318-1002-2 1
- Mastering SID Code: IFPI L891
- Mould SID Code: IFPI 2T08
- Matrix / Runout: C1.1 140554-01 GRV-1002-2
- Barcode: 660318100238
- Barcode: 660318100214
