GP Telemann Rallye Louvarts De Paris, Orchestre De Chambre JeanFrançois Paillard, Maxence Larrieu, Georges Barboteu - Deux Suites Concerto Pour Cor

jatinpatrajp

Review by Jatin Patra

The album Deux Suites Concerto Pour Cor by GP Telemann Rallye Louvarts De Paris, Orchestre De Chambre JeanFrançois Paillard, Maxence Larrieu, Georges Barboteu is a masterpiece that showcases the talent of these exceptional musicians. The album features two concertos for horn and orchestra, each with its unique style and character.

The first suite, Concerto in D Major, is a lively and upbeat piece that displays the virtuosity of the soloist, Georges Barboteu. The orchestra provides a perfect accompaniment, with JeanFrançois Paillard leading the way with his impeccable conducting. The second suite, Concerto in F Major, is a more subdued and contemplative piece that showcases the sensitive playing of Maxence Larrieu. The orchestra provides a beautiful backdrop, with the strings and woodwinds blending seamlessly together.

Table of Contents

Download

Filename: gp-telemann-rallye-louvarts-de-paris-orchestre-de-chambre.zip
  • MP3 size: 20 mb
  • FLAC size: 227.6 mb

Tracks

TrackDurationPreview
Suite Pour Flûte Et Orchestre En la Mineur (Suite)
Suite Pour Flûte Et Orchestre En la Mineur
Suite Pour Trompes de Chasse Et Orchestre En Ré Majeur
Concerto Pour Cor Et Orchestre En Ré Majeur

Images

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Catalog Numbers

STU 70357

Labels

Erato

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Formats

  • Vinyl
  • LP
  • Album
  • Club Edition
  • Stereo

Companies

RoleCompany
Printed ByImprimerie Contensin

Credits

RoleCredit
Composed ByGeorg Philipp Telemann
ConductorJean-François Paillard
FluteMaxence Larrieu
HornGeorges Barboteu

About GP Telemann Rallye Louvarts De Paris, Orchestre De Chambre JeanFrançois Paillard, Maxence Larrieu, Georges Barboteu

German Baroque composer and multi-instrumentalist (14 March 1681, Magdeburg, Germany - 25 June 1767, Hamburg, Germany). Telemann was one of the most prolific composers in history and was considered by his contemporaries to be one of the leading German composers of the time. He was compared favorably both to his friend , who made him the Godfather and namesake of his son , and to , whom Telemann also knew personally. Telemann's music incorporates several national styles: French, Italian, and Polish. He remained at the forefront of all new musical tendencies and his music is an important link between the late Baroque and early Classical styles. As a child he showed considerable musical talent, mastering the violin, flute, zither and keyboard by the age of ten and composing an opera (Sigismundus, on a text by Postel). His family did not approve of his involvement in music, and upon his mother's insistence, he entered the University of Leipzig to study law in 1701. Within a year of his arrival in Leipzig he founded the student Collegium Musicum with which he gave public concerts (and which Bach was later to direct), wrote operatic works for the Leipzig Theater, and in 1703 became musical director of the Leipzig Opera and was appointed organist at the Neue Kirche in 1704. Needless to say, he dropped the study of law and pursued his career in music. Telemann held important positions in Leipzig, Żary, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of the city's five main churches. Throughout his life he composed a year's worth of cantatas for regular church services and 78 services for special occasions totaling 1,043 cantatas, 40 operas, 600-700 orchestral suites, 44 passions, along with numerous concerti, sonatas and chamber music for various instrumental combinations.

Real Name

    • Georg Philipp Telemann

Name Vars

  • C. P. Telemann
  • C.-Ph. Telemann
  • Friedrich Telemann
  • G Ph Telemann
  • G. F. Teleman
  • G. F. Telemanas
  • G. F. Telemann
  • G. P. Teleman
  • G. P. Telemann
  • G. P.Telemann
  • G. PH. Telemann
  • G. Ph. Teleman
  • G. Ph. Telemann
  • G. Ph.Telemann
  • G. Ph: Telemann
  • G. Phil. Telemann
  • G. Philipp Telemann
  • G. Telemann
  • G. Th. Telemann
  • G.-P. Telemann
  • G.-Ph. Telemann
  • G.F. Teleman
  • G.F. Telemann
  • G.F. Theleman
  • G.P Telemann
  • G.P. Teleman
  • G.P. Telemann
  • G.P. Telleman
  • G.P.H. Telemann
  • G.P.Telemann
  • G.P.ÆìÞó
  • G.PH. Telemann
  • G.Ph. Telemann
  • G.Ph.Telemann
  • G.Ph.೰njۼ
  • Georg Fhilipp Telemann
  • Georg Friedrich Telemann
  • Georg P. Telemann
  • Georg PH. Telemann
  • Georg Ph. Teleman
  • Georg Ph. Telemann
  • Georg Philip Telemann
  • Georg Philipp Telemann (1681-1767)
  • Georg Philippe Telemann
  • Georg Phillip Teleman
  • Georg Phillip Telemann
  • Georg Phillipe Telemann
  • Georg Phillipp Telemann
  • Georg Telemann
  • Georg-Ph. Telemann
  • Georg-Philip Telemann
  • Georg-Philipp Telemann
  • Georg. Philipp Telemann
  • George P. Telemann
  • George Ph. Telemann
  • George Philip Telemann
  • George Philipp Telemann
  • George Philippe Telemann
  • George Phillip Telemann
  • George Phillipp Telemann
  • Georges Philippe Telemann
  • Georges-Philippe Telemann
  • Gg. Ph. Telemann
  • Gg. Phil. Telemann
  • Giorgio Filippo Telemann
  • J. PH. Teleman
  • J. Ph. Telemann
  • J.-Phi. Telemann
  • J.Ph. Telemann
  • P. Telemann
  • Ph Telemann
  • Philipp Telemann
  • TELEMANN
  • Teleman
  • Telemann
  • Telemann G. P.
  • Telemann G.F.
  • Telemann G.P.
  • Telemann Georg Philipp
  • Telemann,
  • Telemann, G. Ph.
  • Telemann, Georg Philipp
  • Telemann:
  • Tellemann
  • Télémann
  • Τέλεμαν
  • Г. Телеман
  • Г. Ф. Гендель
  • Г. Ф. Телеман
  • Г. Ф. Телемана
  • Г.Ф. Телеман
  • Г.Ф.Телеман
  • Георг Филипп Телеман
  • Георг Фрідріх Телеман
  • Телеман
  • Ф. Телеман
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jatinpatrajp

Summary by Jatin Patra

this album is a must-have for anyone who appreciates classical music. The performances are flawless, and the recording quality is excellent, capturing every nuance of the music. The combination of Telemann's compositions and the talent of these musicians is truly a match made in heaven.