Mahler Klaus Tennstedt London Philharmonic Orchestra - Symphony No 7

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Review by sum adi

The album Symphony No 7 by Mahler Klaus Tennstedt London Philharmonic Orchestra is a masterpiece that showcases the brilliance of the composer and the exceptional talent of the orchestra. The symphony, which is also known as "Song of the Night," is a complex and intricate piece that requires a skilled hand to execute, and Tennstedt and his orchestra do so with precision and passion.

The album is a delight to listen to, as each movement is expertly crafted and executed. The first movement, which is marked by its haunting melodies and somber tones, sets the tone for the rest of the symphony. The second movement, which is characterized by its lively and energetic rhythms, is a stark contrast to the first, and it showcases the versatility of the orchestra.

The third movement, which is marked by its gentle and serene melodies, is a beautiful interlude that provides a moment of respite before the final two movements. The fourth movement, which is marked by its sweeping melodies and epic scope, is a tour-de-force that showcases the orchestra's technical prowess and musicality.

The final movement, which is marked by its triumphant and uplifting melodies, is a fitting conclusion to the symphony. It is a testament to Mahler's genius and Tennstedt's skill that the orchestra is able to convey the emotional depth and complexity of the piece so effectively.

Table of Contents

Download

Filename: mahler-klaus-tennstedt-london-philharmonic-orchestra-symphony.zip
  • MP3 size: 34.5 mb
  • FLAC size: 275.5 mb

Tracks

TrackDurationPreview
III. Fliessend, Aber Nicht Schnell (Schattenhaft)10:17
IV. Nachtmusik II: Andante Amoroso15:12
II. Nachtmusik I: Allegro Moderato16:49
V. Rondo-Finale: Allegro Ordinario - Allegro Moderato, Ma Energico18:02
I. Langsam (Adagio) - Allegro Risoluto23:19

Video

Mahler Symphonie Nr 7 Klaus Tennstedt (1993) Last Recording

Images

lataa albumi Mahler Klaus Tennstedt London Philharmonic Orchestra - Symphony No 7
ladda ner album Mahler Klaus Tennstedt London Philharmonic Orchestra - Symphony No 7

Catalog Numbers

  • SLS 5238, ASD 4083, ASD 4084
  • DSB-3908

Labels

  • His Master's Voice
  • Angel Records

Listen online

  • ouvir online
  • lyssna på nätet
  • écouter en ligne
  • online anhören
  • escuchar en línea
  • online luisteren
  • kuunnella verkossa
  • ascolta in linea
  • lytte på nettet

Formats

  • 2 × Vinyl
  • LP
  • Album
  • Stereo

Credits

RoleCredit
Composed ByMahler
ConductorKlaus Tennstedt
EngineerNeville Boyling
OrchestraLondon Philharmonic Orchestra
ProducerJohn Willan

Notes

  • (UK) HMV Digital release: double album in gatefold cover.
  • Gatefold Cover

About Mahler Klaus Tennstedt London Philharmonic Orchestra

Austrian composer and conductor. Born 7 July 1860 in Kalischt, Bohemia (today Kaliště, Czech Republic) and died 18 May 1911 in Vienna, Austria. Gustav Mahler (German pronunciation: ; was a late-Romantic Austrian-Bohemian composer and one of the leading conductors of his generation. As a composer, he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 the music was discovered and championed by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century. Born in humble circumstances, Mahler showed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahlerwho had converted to Catholicism from Judaism to secure the postexperienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of and . Late in his life he was briefly director of New York's and . He wed fellow composer and musician on 9 March 1902. They had two daughters, Maria Anna Mahler (03.11.1902-05.07.1907) & . Mahler's œuvre is relatively smallfor much of his life composing was a part-time activity, secondary to conductingand is confined to the genres of symphony and song, except for one piano quartet. Most of his ten symphonies are very large-scale works, several of which employ soloists and choirs in addition to augmented orchestral forces. These works were often controversial when first performed, and were slow to receive critical and popular approval; an exception was the triumphant premiere of his Eighth Symphony in 1910. Mahler's immediate musical successors were the composers of the Second Viennese School, notably , and . and are among later 20th-century composers who admired and were influenced by Mahler. The International Gustav Mahler Institute was established in 1955, to honour the composer's life and work.

Real Name

    • Gustav Mahler

Name Vars

  • Fauré
  • G. Mahler
  • G. Meler
  • G.Mahler
  • Gustav
  • Gustave Mahler
  • Maher
  • Mahler
  • Mahler G.
  • Mahler Gustav
  • Mahler, Gustav
  • Malher
  • Marhler
  • Μάλερ
  • Г. Малер
  • Г.Малер
  • Густав Малер
  • Малер
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  • Þüéü
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Summary by sum adi

Symphony No 7 by Mahler Klaus Tennstedt London Philharmonic Orchestra is a must-have for any classical music lover. It is a brilliant and captivating work that showcases the talents of both the composer and the orchestra.

Comments

helenfarmer100
helenfarmer100 2023-04-12
1:08:46
gibobaas
gibobaas 2023-04-11
This is a brilliant performance, as are all of the Tennstedt Mahler performances, but the opening of this one is lackluster when compared to the astonishingly terrifying brass in the recording with Georg Solti and the Chicago Symphony. There may be a few other recordings that are close, but NOBODY, on any of the dozens of live and recorded performances I've heard, covers that tenor horn opening like Jay Freidman. And then when Bud Herseth plays the first trumpet lines....it's just no contest. The Chicago brass of that time had few peers, if any.
onerhodeislandfamily
Michael Steinberg: Followed with old Man. School of music score?
arturfrare
arturfrare 2023-04-10
I concur with all of the 'KIausketeers' here that Maestro Tennstedt is a marvelous Mahler conductor and on this recording he brings the 7th Symphony to life with great immediacy. My problem is with the 7th itself and I am thankful that it was not the composer's last symphony. It rounds out Mahler's middle period trio of instrumental symphonies and although it contains many beautiful moments, I have never grasped its totality, a comprehensive quality that I find in all of his other symphonies. In contrast to the bleak final movement of the 6th Symphony that acts as a culmination of the previous movements, the 7th's progression of movements from darkness to light in the Finale eludes me as non-organic and forced, more akin to a pastiche. For many years of the previous century the 7th was rarely performed. Once Mahler's symphonies entered the mainstream of the performing concert repertoire at the end of the 20th century, it was inevitable that the beauties contained in the 7th would become recognized and better appreciated, while not enthusiastically embraced in general by the public.
samarjit25
samarjit25 2023-04-10
Pure joy for us all Klausketeers !!!
wjgbrown84
wjgbrown84 2023-04-09
Tennstedt's memorable final recording is my personal favorite Mahler 7, with all of the emotional power this masterpiece demands. I have great respect for all the wonderful Mahler maestros I've enjoyed in over 50 years of Mahler listening. Whose interpretation is better is always a matter of personal opinion. To me Tennstedt's Mahler readings, especially in his late era live performances, speak with the greatest clarity and depth. I'm grateful that his recorded legacy lets me and other devotees continue to revel in his unique gifts.
venkatvivek84
venkatvivek84 2023-04-08
The late great Alan Cumberland on timpani!!!!!
shakira4983
shakira4983 2023-04-07
1:08:48 THE BEST TIMPANI SOLO I've heard Mahler 7
fennypotter
fennypotter 2023-04-06
Maestro Tennstedt donne, à mon avis, une immense interprétation de la septième ... ce final surtout plein de bruit et de fureur, de tendresse, de joie vite emportée par les ailes de la nuit ; il plane une ambiance en demi teinte, entre ombres et clartés. Mahler le visionnaire nous amène à l'extrême point de bascule : Vienne s'étourdit, narcissique et légère en apparence : au delà de la ville, les éclairs d'une guerre au futur grouillent et attendent ... l'instant est encore à la danse... pour combien de temps ... ?)
stylistic
stylistic 2023-04-05
I love Mahler and this is an absolutely stunning performance! (Retired oboe player here.)
lapetite
lapetite 2023-04-04
Never too celebrated musician. Viva
patreng
patreng 2023-04-04
Awesome performance!!...45:19-Enchanting ?violin solo,divine!!!
ponci247
ponci247 2023-04-03
He is one of the BEST Mahler conductors!!
0857179002park007
0857179002park007 2023-04-03
Wow what a epic climatic ending.