Stäbler Schnebel Wallmann Bauckholt Goebbels - Instrumentales Theater 1984 2000
Table of Contents
Download
Filename: stbler-schnebel-wallmann-bauckholt-goebbels-instrumentales.zip- MP3 size: 57.4 mb
- FLAC size: 599.2 mb
Tracks
Track | Duration | Preview |
---|---|---|
Süden | 5:02 | |
Refrain 1b | 3:18 | |
Westen | 3:58 | |
...Même Soir.- | (13:12) | |
Nr. 9 Bauernszene | 6:23 | |
Szene 7 "Die Zweite Nachtwache" | 2:56 | |
Museumsstücke I | (6:23) | |
Gleich Den Vögeln | (16:59) | |
Norden | 4:41 | |
Szene 4 "Ernstlich Verwirrt Und Auf Einmal Geängstigt..." / Szene 5: "Die Seltenen Augenblicke Da Der Mythos Seinen Eintritt Fordert In Die Alltäglichen Ereignisse Des Lebens..." | 8:11 | |
Stachel Der Empfindlichkeit | 24:19 | |
Szene 6 "Ich Habe Alles Im Voraus Gestanden..." | 0:42 | |
Wirbensäulenflöte | 13:25 | |
Aus Szene 3 "Die Stunde Dieses Besuches... Aber Besser Doch, Ich Verhindere Ein Zusammentreffen..." | 1:23 |
Images
Catalog Numbers
74321 73650 2Labels
RCA Red Seal, BMG Classics, Deutscher MusikratListen online
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Formats
- CD
- Compilation
Companies
Role | Company |
---|---|
Recorded At | Helmreich Studios |
Mastered At | KammertonStudio Berlin |
Glass Mastered At | Sonopress |
Pressed By | Sonopress |
Credits
Role | Credit |
---|---|
Compilation Producer | Frank Schneider , Hermann Danuser |
Compiled By | Simone Heilgendorff |
Liner Notes | Simone Heilgendorff |
Design | Christine Schweitzer |
Notes
- "Wirbensäulenflöte" Ein isometrisches Gedicht nach dem gleichnamigen Poem für Klavier, Bassklarinette, Stimmen, Objekte und Metronome. Aufnahme: 19884, Studio Helmreich Essen.
- "gleich den Vögeln" (1986-92) Alea-Musik für 2 bis 4 weit voneinander entfernte Klarinetten oder Saxophone, Version für 4 Saxophone. Live-Mitschnitt, 23.IX.2000, Berliner Dom.
- "Museumsstücke I" (1991-93) für bewegliche Stimmen und Instrumente in polyphonen Räumen. Mitschnitt der Uraufführung, Museum für moderne Kunst, Frankfurt, 12.XI.1993.
- "Stachel der Empfindlichkeit" (1997-98) Musiktheater für 2 Stimmen, 3 Celli, 4 Schlagzeuger und Zuspielung. Konzertmitschnitt Rheinisches Musikfest, 25.V. 2002.
- "...même soir.-" Szenisches Konzert für 6 MusikerInnen. Live-Mitschnitt musica viva, Muffathalle, München, 28.IX.2000.
- Mastering: KammertonStudio Berlin
- Jewel case includes a 24 page booklet.
- Also released as a part of the 7 CD box "Experimentelles Musiktheater"
Barcodes
- Barcode (Text): 7 43217 36502 8
- Barcode (String): 743217365028
- Matrix / Runout: [Sonopress] 51021692/74321736502 21
- Mastering SID Code: IFPI LB 45
- Mould SID Code: IFPI RV03
- SPARS Code (Track 1): ADD
- SPARS Code (Track 2 to 11): DDD
About Stäbler Schnebel Wallmann Bauckholt Goebbels
Gerhard Stäbler was born in 1949 in Wilhelmsdorf, near Ravensburg in southern Germany. In 1968 he began studies in composition at the Nordwestdeutsche Musikakademie in Detmold, continuing at the Folkwang-Hochschule in Essen, where he studied composition with Nicolaus A. Huber and organ with Gerd Zacher.
The Cornelius Cardew Memorial Prize (1982) was the first in a series of awards, prizes, commissions and scholarships he has received. Since the beginning of his career, Stäbler has been active not only as a composer, but also in politics and organization. The Aktive Musik new music festival was founded by Stäbler, and he was artistic director of the 1995 World Music Days of the ISCM, held in the Ruhr. He has taught workshops and seminars involving young composers and performers all over the world, and has been composer in residence and visiting professor at many institutions in North and South America, in Australia, and Singapur, as well as in the Middle and Far East.
Stäblers music often transcends conventional frameworks and audience expectations through the use of gestures or movement, space, lighting, olfactory stimulation, or the active involvement of the audience. He finds it important to simulate the imagination, to sensitize the ears and other senses to unexpected perceptual and thought processes. This is the origin of his interest in the interaction of composition and improvisation, which is rooted in the unique tension between performers during the pre-established yet open musical moment, as seen for instance in his graphic score Hart auf hart (1986). For the same reasons, his music is always characterized by carefully considered development, containing elaborate constructions that dont impede the immanent musical statement.
Real Name
- Gerhard Stäbler
Name Vars
- G.S.
- Gerhard Stabler
- Gerhard Staebler
- Stäbler