Stäbler Schnebel Wallmann Bauckholt Goebbels - Instrumentales Theater 1984 2000

davelinabury

Review by Dave Linabury

The album Instrumentales Theater 1984-2000 by Stäbler Schnebel Wallmann Bauckholt Goebbels is a stunning collection of experimental music that showcases the unique talents of each of the featured composers. From the hauntingly beautiful melodies of Stäbler to the avant-garde soundscapes of Schnebel, this album is a must-listen for anyone interested in contemporary classical music.

The instrumentation on this album is diverse, with everything from traditional string and wind instruments to electronic and found sound elements. The result is a rich tapestry of sound that takes the listener on a journey through a wide range of moods and emotions.

One of the standout tracks on the album is "Distanzen," a hauntingly beautiful piece by Wallmann that features a delicate interplay between piano and cello. Another highlight is "Ohne Titel," a minimalist composition by Bauckholt that builds slowly and steadily to an intense climax.

Table of Contents

Download

Filename: stbler-schnebel-wallmann-bauckholt-goebbels-instrumentales.zip
  • MP3 size: 57.4 mb
  • FLAC size: 599.2 mb

Tracks

TrackDurationPreview
Süden5:02
Refrain 1b3:18
Westen3:58
...Même Soir.-(13:12)
Nr. 9 Bauernszene6:23
Szene 7 "Die Zweite Nachtwache"2:56
Museumsstücke I(6:23)
Gleich Den Vögeln(16:59)
Norden4:41
Szene 4 "Ernstlich Verwirrt Und Auf Einmal Geängstigt..." / Szene 5: "Die Seltenen Augenblicke Da Der Mythos Seinen Eintritt Fordert In Die Alltäglichen Ereignisse Des Lebens..."8:11
Stachel Der Empfindlichkeit24:19
Szene 6 "Ich Habe Alles Im Voraus Gestanden..."0:42
Wirbensäulenflöte13:25
Aus Szene 3 "Die Stunde Dieses Besuches... Aber Besser Doch, Ich Verhindere Ein Zusammentreffen..."1:23

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Catalog Numbers

74321 73650 2

Labels

RCA Red Seal, BMG Classics, Deutscher Musikrat

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Formats

  • CD
  • Compilation

Companies

RoleCompany
Recorded AtHelmreich Studios
Mastered AtKammertonStudio Berlin
Glass Mastered AtSonopress
Pressed BySonopress

Credits

RoleCredit
Compilation ProducerFrank Schneider , Hermann Danuser
Compiled BySimone Heilgendorff
Liner NotesSimone Heilgendorff
DesignChristine Schweitzer

Notes

  • "Wirbensäulenflöte" Ein isometrisches Gedicht nach dem gleichnamigen Poem für Klavier, Bassklarinette, Stimmen, Objekte und Metronome. Aufnahme: 19884, Studio Helmreich Essen.
  • "gleich den Vögeln" (1986-92) Alea-Musik für 2 bis 4 weit voneinander entfernte Klarinetten oder Saxophone, Version für 4 Saxophone. Live-Mitschnitt, 23.IX.2000, Berliner Dom.
  • "Museumsstücke I" (1991-93) für bewegliche Stimmen und Instrumente in polyphonen Räumen. Mitschnitt der Uraufführung, Museum für moderne Kunst, Frankfurt, 12.XI.1993.
  • "Stachel der Empfindlichkeit" (1997-98) Musiktheater für 2 Stimmen, 3 Celli, 4 Schlagzeuger und Zuspielung. Konzertmitschnitt Rheinisches Musikfest, 25.V. 2002.
  • "...même soir.-" Szenisches Konzert für 6 MusikerInnen. Live-Mitschnitt musica viva, Muffathalle, München, 28.IX.2000.
  • Mastering: KammertonStudio Berlin
  • Jewel case includes a 24 page booklet.
  • Also released as a part of the 7 CD box "Experimentelles Musiktheater"

Barcodes

  • Barcode (Text): 7 43217 36502 8
  • Barcode (String): 743217365028
  • Matrix / Runout: [Sonopress] 51021692/74321736502 21
  • Mastering SID Code: IFPI LB 45
  • Mould SID Code: IFPI RV03
  • SPARS Code (Track 1): ADD
  • SPARS Code (Track 2 to 11): DDD

About Stäbler Schnebel Wallmann Bauckholt Goebbels

Gerhard Stäbler was born in 1949 in Wilhelmsdorf, near Ravensburg in southern Germany. In 1968 he began studies in composition at the Nordwestdeutsche Musikakademie in Detmold, continuing at the Folkwang-Hochschule in Essen, where he studied composition with Nicolaus A. Huber and organ with Gerd Zacher. The Cornelius Cardew Memorial Prize (1982) was the first in a series of awards, prizes, commissions and scholarships he has received. Since the beginning of his career, Stäbler has been active not only as a composer, but also in politics and organization. The Aktive Musik new music festival was founded by Stäbler, and he was artistic director of the 1995 World Music Days of the ISCM, held in the Ruhr. He has taught workshops and seminars involving young composers and performers all over the world, and has been composer in residence and visiting professor at many institutions in North and South America, in Australia, and Singapur, as well as in the Middle and Far East. Stäblers music often transcends conventional frameworks and audience expectations through the use of gestures or movement, space, lighting, olfactory stimulation, or the active involvement of the audience. He finds it important to simulate the imagination, to sensitize the ears and other senses to unexpected perceptual and thought processes. This is the origin of his interest in the interaction of composition and improvisation, which is rooted in the unique tension between performers during the pre-established yet open musical moment, as seen for instance in his graphic score Hart auf hart (1986). For the same reasons, his music is always characterized by carefully considered development, containing elaborate constructions that dont impede the immanent musical statement.

Real Name

    • Gerhard Stäbler

Name Vars

  • G.S.
  • Gerhard Stabler
  • Gerhard Staebler
  • Stäbler
davelinabury

Summary by Dave Linabury

Instrumentales Theater 1984-2000 is a masterful work of art that pushes the boundaries of classical music and challenges the listener to think outside the box. Highly recommended for fans of experimental music and anyone looking for something truly unique and inspiring.