Telemann Klaus Mertens L'Arpa Festante - Sacred Cantatas

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Review by Ali Al Qumber

The album Sacred Cantatas by Telemann Klaus Mertens L'Arpa Festante is a beautiful collection of classical music that showcases the talents of the performers. Klaus Mertens' voice is rich and expressive, and he brings a depth of emotion to each of the cantatas. The instrumental accompaniment by L'Arpa Festante is also excellent, with each musician demonstrating a high level of skill and artistry.

The overall sound of the album is quite lovely, with a warm and inviting tone that draws the listener in. The cantatas themselves are well-crafted and thoughtfully composed, with a range of moods and styles that keep the music interesting throughout. The lyrics are also quite moving, with themes of faith, love, and redemption that resonate with many listeners.

Table of Contents

Download

Filename: telemann-klaus-mertens-larpa-festante-sacred-cantatas.zip
  • MP3 size: 53.2 mb
  • FLAC size: 392.7 mb

Tracks

TrackDurationPreview
Sonata In F Major, TVWV 43:F3
Herr Erhöre Meine Stimme, TVWV 1:738
Soll Ich Nicht Von Jammer Sagen, TVWV 1:1371
Vater Unser Im Himmelreich, TVWV 1:1461
Quartet In E Minor, TVWV 43:e5
Fliehet Hin, Ihr Bösen Tage, TVWV 4:19
All's Glück Und Ungelücke, TVWV 1:73

Images

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Catalog Numbers

19075832892

Labels

Deutsche Harmonia Mundi

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Formats

  • CD
  • Album

Credits

RoleCredit
Baritone VocalsKlaus Mertens
Composed ByGeorg Philipp Telemann
EnsembleL'Arpa Festante
Music DirectorRien Voskuilen

Notes

  • Total time 75:42.
  • All of the cantatas represent world premiere recordings.
  • ℗ 2018 - Made in Germany

Barcodes

  • Barcode: 1 90758 32892 8
  • Label Code: LC 00761
  • SPARS Code: DDD
  • Rights Society: GEMA

About Telemann Klaus Mertens L'Arpa Festante

German Baroque composer and multi-instrumentalist (14 March 1681, Magdeburg, Germany - 25 June 1767, Hamburg, Germany). Telemann was one of the most prolific composers in history and was considered by his contemporaries to be one of the leading German composers of the time. He was compared favorably both to his friend , who made him the Godfather and namesake of his son , and to , whom Telemann also knew personally. Telemann's music incorporates several national styles: French, Italian, and Polish. He remained at the forefront of all new musical tendencies and his music is an important link between the late Baroque and early Classical styles. As a child he showed considerable musical talent, mastering the violin, flute, zither and keyboard by the age of ten and composing an opera (Sigismundus, on a text by Postel). His family did not approve of his involvement in music, and upon his mother's insistence, he entered the University of Leipzig to study law in 1701. Within a year of his arrival in Leipzig he founded the student Collegium Musicum with which he gave public concerts (and which Bach was later to direct), wrote operatic works for the Leipzig Theater, and in 1703 became musical director of the Leipzig Opera and was appointed organist at the Neue Kirche in 1704. Needless to say, he dropped the study of law and pursued his career in music. Telemann held important positions in Leipzig, Żary, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of the city's five main churches. Throughout his life he composed a year's worth of cantatas for regular church services and 78 services for special occasions totaling 1,043 cantatas, 40 operas, 600-700 orchestral suites, 44 passions, along with numerous concerti, sonatas and chamber music for various instrumental combinations.

Real Name

    • Georg Philipp Telemann

Name Vars

  • C. P. Telemann
  • C.-Ph. Telemann
  • Friedrich Telemann
  • G Ph Telemann
  • G. F. Teleman
  • G. F. Telemanas
  • G. F. Telemann
  • G. P. Teleman
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  • G. PH. Telemann
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  • G. Ph: Telemann
  • G. Phil. Telemann
  • G. Philipp Telemann
  • G. Telemann
  • G. Th. Telemann
  • G.-P. Telemann
  • G.-Ph. Telemann
  • G.F. Teleman
  • G.F. Telemann
  • G.F. Theleman
  • G.P Telemann
  • G.P. Teleman
  • G.P. Telemann
  • G.P. Telleman
  • G.P.H. Telemann
  • G.P.Telemann
  • G.P.ÆìÞó
  • G.PH. Telemann
  • G.Ph. Telemann
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  • Georg Fhilipp Telemann
  • Georg Friedrich Telemann
  • Georg P. Telemann
  • Georg PH. Telemann
  • Georg Ph. Teleman
  • Georg Ph. Telemann
  • Georg Philip Telemann
  • Georg Philipp Telemann (1681-1767)
  • Georg Philippe Telemann
  • Georg Phillip Teleman
  • Georg Phillip Telemann
  • Georg Phillipe Telemann
  • Georg Phillipp Telemann
  • Georg Telemann
  • Georg-Ph. Telemann
  • Georg-Philip Telemann
  • Georg-Philipp Telemann
  • Georg. Philipp Telemann
  • George P. Telemann
  • George Ph. Telemann
  • George Philip Telemann
  • George Philipp Telemann
  • George Philippe Telemann
  • George Phillip Telemann
  • George Phillipp Telemann
  • Georges Philippe Telemann
  • Georges-Philippe Telemann
  • Gg. Ph. Telemann
  • Gg. Phil. Telemann
  • Giorgio Filippo Telemann
  • J. PH. Teleman
  • J. Ph. Telemann
  • J.-Phi. Telemann
  • J.Ph. Telemann
  • P. Telemann
  • Ph Telemann
  • Philipp Telemann
  • TELEMANN
  • Teleman
  • Telemann
  • Telemann G. P.
  • Telemann G.F.
  • Telemann G.P.
  • Telemann Georg Philipp
  • Telemann,
  • Telemann, G. Ph.
  • Telemann, Georg Philipp
  • Telemann:
  • Tellemann
  • Télémann
  • Τέλεμαν
  • Г. Телеман
  • Г. Ф. Гендель
  • Г. Ф. Телеман
  • Г. Ф. Телемана
  • Г.Ф. Телеман
  • Г.Ф.Телеман
  • Георг Филипп Телеман
  • Георг Фрідріх Телеман
  • Телеман
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Summary by Ali Al Qumber

Sacred Cantatas is a wonderful album that will appeal to fans of classical music and anyone who appreciates the beauty of choral music. The performances are top-notch, and the music itself is timeless and deeply moving. Highly recommended.