Vivaldi, Veracini, Bach, Haydn, Trio Chitarristico Italiano - Vivaldi Veracini Bach Haydn

framatthews

Review by FRANCESCO IODICE

The album Vivaldi Veracini Bach Haydn by Trio Chitarristico Italiano is a delightful collection of classical music that showcases the talents of some of the most renowned composers of all time. The trio's performance is nothing short of exceptional, with their skillful playing bringing each piece to life in a way that is both captivating and inspiring.

From the opening track, Vivaldi's Concerto for Guitar and Strings in D Major, to the final piece, Haydn's Trio No. 43 in C Major, the album takes listeners on a journey through some of the most beautiful and iconic works of the classical period. The trio's interpretation of each piece is nuanced and thoughtful, highlighting the unique qualities of each composer's style while also showcasing the trio's own musical sensibilities.

One of the standout tracks on the album is Veracini's Sonata in D Minor for Two Violins and Guitar. The trio's performance of this piece is particularly impressive, with their precise and intricate playing perfectly capturing the complex interplay between the three instruments.

Table of Contents

Download

Filename: vivaldi-veracini-bach-haydn-trio-chitarristico-italiano.zip
  • MP3 size: 77.4 mb
  • FLAC size: 874.8 mb

Tracks

TrackDurationPreview
Allemanda
Presto
Contrapunctus 9
Contrapunctus 210:23
Larghetto
Allegro
Giga
Minuetto
Trio In Sol Maggiore(11:46)
Adagio Cantabile
Sarabanda
Trio In Do Maggiore (F. XVI n. 3)(8:40)
Finale: Allegro
Trio In Mi Maggiore (F. XIII n. 20)(7:50)
Allegro Non Molto
Largo
Contrapunctus 3
Passacaglia7:25

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Catalog Numbers

RL 31423

Labels

RCA Red Seal

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Formats

  • Vinyl
  • LP

Credits

RoleCredit
Composed ByAntonio Vivaldi (tracks: A1.1 to A2.3), Francesco Maria Veracini (tracks: A3), Johann Sebastian Bach (tracks: B1.1 to B1.3), Joseph Haydn (tracks: B2.1 to B2.4)
EngineerGiancarlo Lupo
EnsembleTrio Chitarristico Italiano
GuitarAlfonso Borghese, Roberto Frosali, Vincenzo Saldarelli
Liner NotesLeonardo Pinzauti

Notes

Liner Notes in italian and english

Barcodes

Rights Society: SIAE

About Vivaldi, Veracini, Bach, Haydn, Trio Chitarristico Italiano

lataa albumi Vivaldi, Veracini, Bach, Haydn, Trio Chitarristico Italiano - Vivaldi Veracini Bach Haydntélécharger l'album Vivaldi, Veracini, Bach, Haydn, Trio Chitarristico Italiano - Vivaldi Veracini Bach Haydnbaixar álbum Vivaldi, Veracini, Bach, Haydn, Trio Chitarristico Italiano - Vivaldi Veracini Bach HaydnAlbum herunterladen Vivaldi, Veracini, Bach, Haydn, Trio Chitarristico Italiano - Vivaldi Veracini Bach Haydnlast ned album Vivaldi, Veracini, Bach, Haydn, Trio Chitarristico Italiano - Vivaldi Veracini Bach Haydnladda ner album Vivaldi, Veracini, Bach, Haydn, Trio Chitarristico Italiano - Vivaldi Veracini Bach Haydn
Italian Baroque composer, virtuoso violinist, teacher and cleric. Born March 4, 1678, Sestiere di San Marco, Repùblica Vèneta, Italy. Died July 28, 1741, Kärntnertor, Vienna, Austria. He is recognized as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He is known mainly for composing many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as "The Four Seasons". Vivaldi's career as a violinist and composer was almost inevitable. His father was Giovanni Battista Vivaldi, a founder of the Sovvegno dei musicisti di Santa Cecilia, an early musician's collective, who's President was the Baroque operatic composer and tutor Giovanni Legrenzi. As a youth, touring and performing around Venice in accompaniment on the violin with his father, he is likely to have been influenced by Legrenzi who had become maestro di cappella at St. Mark's Basilica in 1681. A redhead like his father, Vivaldi took up the course of attaining a priesthood in 1693 and became ordained in 1703, referred to by those around him as "Il Prete Rosso" because of his red hair. By late 1703 he was unable to maintain his practice in the priesthood due to ill health and sought employment as a tutor of music, retaining his reverential title. By 1704 he worked as maestro of violin in Venice at the orphanage of the Devout Hospital of Mercy, an institution known as Conservatorio dell'Ospedale della Pietà, providing shelter to orphaned and abandoned children. Here the boys were taught a trade, whilst the girls were given a musical education. The talented were selected for the conservatory's orchestra & choir, which gained high regard both in Venice and abroad. Vivaldi used this period to write the majority of his concertos, cantatas and arias. The institute provided an ideal environment for Vivaldi to explore the avenues of the ritornello form. The first of his works were published in 1705, a second Opus in 1709. His third Opus was published in Amsterdam in 1711 and gained him enthusiastic attention throughout Europe  followed by a fourth Opus in 1714. He became Musical Director of the Pietà's institute in 1716 and was contracted to provide two concerti a month for the orchestra. Papers from the Pietà's history show that Vivaldi produced 140 concerti between 1723 and 1733. In 1714 Vivaldi took on the role of impresario of the theater Sant'Angelo in Venice, presenting "Orlando finto pazzo

Real Name

    • Antonio Lucio Vivaldi

Name Vars

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  • Antonio Licio Vivaldi
  • Antonio Lucio Vivaldi
  • Antonio Vivaldi (?)
  • Antonio Vivaldi, 1678-1741
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  • António Vivaldi
  • D. Antonio Vivaldi
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  • А. Вівальді
  • А.Вивальди
  • А.Вівальді
  • Антонио Вивалди
  • Антонио Вивальди
  • Антонио Вивальди (1678-1741)
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framatthews

Summary by FRANCESCO IODICE

Vivaldi Veracini Bach Haydn is a must-have album for anyone who appreciates classical music. The Trio Chitarristico Italiano's exceptional performance and the timeless beauty of the compositions themselves make this album a true masterpiece.